GALA Festival X – Music Can Heal, by Carol White

On the third day out from
having been immersed in the music of GALA Choruses Festival X for six days and
nights, with songs and melodies and harmonies and words swirling around in my
brain and my heart, I feel compelled to write down just a few stories from my
own personal experiences at the Festival to illustrate the Power of Music to
heal our souls and perhaps even to transform the world.
On Saturday, July 2,
2016, 6,600 gay and lesbian people from around the world showed up in Denver,
Colorado at our esteemed Performing Arts Complex with one goal in mind:  To Sing. 
There were over 200 choruses and ensembles who had been scheduled to
perform for each other at Boettcher Concert Hall, Temple Buell Theater, Ellie
Caulkins Opera House, the smaller Stage Theater, and the gigantic 5,000-seat
Bellco Theater.
The buzz in the air was
palpable at registration, lifting us to another plane before the music even
began.  And then it started — with over
400 voices from all of the Colorado GLBT choruses lined up on four levels of
the parking garage, overlooking the Galleria outside the theaters. 
The trumpets began and
the voices rang out with a special power as they proclaimed “In praise of song”
that echoed throughout the space in the garage and the covered Galleria, so
that the sound appeared to emanate straight from heaven itself.
This was followed by a
big and stirring arrangement of “America the Beautiful,” during which song
several large banners on the different levels were unfurled that said, “We
Stand With Orlando.”  Coming so soon
after the worst mass shooting in American history at a gay nightclub in
Orlando, Florida, the mass chorus added a verse for those we had lost, and
ended the song after the last verse with a rousing “America, America, America,”
each higher and louder and with more harmony than the one before.  Chill bumps and tears came easily and
naturally.  And a measure of pride that
said, “Those are MY PEOPLE singing that!”
Then came the third piece
commissioned for the occasion and conducted by the composer, “Mountains and
Rivers,” a song about Colorado to give a rousing welcome to everyone at the
Festival.
All this and we had not
even started yet.  On to Boettcher for
the Opening Ceremony, so to speak, featuring several choruses, including the
New York City Gay Men’s Chorus, One Voice mixed chorus from Minneapolis, the
Atlanta mixed chorus, the San Diego Women’s Chorus, and Take Note from Denver,
all singing in the round throughout the hall. 
And this concert had to be repeated to accommodate all of the attendees.
Keep in mind that, in
order to give everyone a chance to perform for at least a half-hour set,
concerts were happening in these three halls simultaneously mornings and
afternoons every day of the week, making it impossible to hear everyone and
forcing us to choose what to attend, and where and when.  So I can only comment on a few that Judith
and I attended, with no intention to leave anyone out.  We heard about 50 choruses out of 200, so
there were many that we unfortunately missed.
Probably the most moving
and memorable moment of the Festival came on the second day in Ellie Calkins
Opera House.  It was during the 3 to 5
p.m. “block concert,” each of which featured four different choruses.  The last choir to perform in this block was
the Orlando Gay Chorus.  Every seat in
Ellie was taken and people were standing behind every section in the
audience.  As approximately 65 men and women
took the stage and got onto the risers, there was a several-minutes-long
standing ovation before they sounded a note.
The conductor took the
podium and they sang three or four songs. 
Then he grabbed the microphone and began talking about the Pulse
Nightclub shooting and how it had shocked their whole community, and that their
chorus had come together and answered the call to help to heal the LGBTs and
everyone else in their city by singing at over 20 different events, vigils, and
memorial services within the last two weeks. 
Then he said, “If you know this next song, sing along with us.”  The song was “You’ll Never Walk Alone.” 
Well, 2,000 singers in
the audience joined with the Orlando chorus and we all raised our voices in a
gorgeous mutual message of assurance that gave that song more meaning than it
had ever had before.  The second time
through everyone was standing and holding hands as tears flowed freely down our
collective cheeks.  No one who was there
will ever forget it.
On the way out of the
theater, as the Orlando Chorus filed through the lobby and into the Galleria
outside, they were surrounded by 2,000 cheering and clapping and hugging
fans.  They said they had never
experienced such love.
Just to mention a few
other highlights:
1.   A chorus of 1,000 gay men with orchestra in
the Bellco Theater singing “I Am Harvey Milk” cantata with the composer from
Broadway singing the part of Harvey Milk.
2.  The Seattle Men’s Chorus performing with the
Seattle Women’s Chorus on stage at the Buell Theater for a mixed chorus of
approximately 300 people singing a stunning arrangement of “I Love You” and
“What A Wonderful World.”
3.  The Las Vegas Men’s Chorus singing a deeply
moving song called “Tell My Father” from the Civil War musical.
4.  One Voice mixed chorus from Charlotte singing
about “Glenda and Lauree: Certain Kinds of Love Never Die.”
5.  Our Song: The Atlanta Gay and Lesbian Chorus
singing and staging Eric Whitacre’s “Fly To Paradise.”
6.  The 200-voice Turtle Creek Chorale from
Dallas singing “Angels Calling.”
7.  Combined choirs at the Opening Concert singing
“Glory” from the movie Selma.
8.  The Classical Masterworks Singalong in
Boettcher where hundreds of us got to sing with the Colorado Symphony Orchestra
on some famous choruses by Bach, Handel, Mozart, Brahms, Verdi, etc.
9.  International groups such as Mano a Mano,
five fabulous flamboyant men from Cuba; Homonics, three men in suits from
Dublin, Ireland; the European Queer Choir; Schola
Cantorosa
, 25 excellent singers from Hamburg, Germany; the Beijing Queer
Choir, 12 darling women and men from China who were able to remove their masks
for the first time; and a combined International Chorus at the Closing Concert
singing “Imagine.”
10.  The Boston Gay Men’s Chorus recounting their
tour to the Middle East.
11.  Charis – St. Louis Women’s Chorus doing
“Sometimes we have to sing in unison, Sometimes we have to sing in harmony.”
12.  Denver Women’s Chorus singing “An
Exhortation,” words by Barack Obama, and “You Are My Music.”
13.  Des Moines Gay Men’s Chorus, when the woman
conductor walked out onto the stage, had everyone in Boettcher stand, and on
July 4 conducted all of us in the best “Star Spangled Banner” I have ever
heard.
14.  Jubilate! The Women’s Chorus of Corvallis,
Oregon, singing “Endangered Species” by Denver’s own Diane Reeves.
15.  The largest and arguably the best – San
Francisco Gay Men’s Chorus – at least 300 men in tuxes and top hats overflowing
the risers at Boettcher and singing Broadway and more.
16.  The Turtle Creek Chorale Chamber Chorus doing
“Come Ye Disconsolate,” including the text, “Earth has no sorrow that heaven
cannot heal.” 
As you can tell, I could
go on and on.  Maybe from this small
sampling you get the idea.  The GALA
Festival that happens every four years is a coming together of GLBT voices that
is at the same time joyful and healing and powerful and unifying.  It is life-affirming and life-changing. 
When I was conducting
GALA choruses years ago, I had a motto: 
“Make ‘em laugh, make ‘em cry, and inspire ‘em.”  This Festival did all of that and more.  As they said at the end of the week, “We have
started a song and it cannot stop.” 
GALA Festival X has 6,600
stories.  This has been one of them.
© 19 Jul 2016 
About
the Author
 
 I was born in Louisiana in
1939, went to Southern Methodist University in Dallas from 1957 through 1963,
with majors in sacred music and choral conducting, was a minister of music for
a large Methodist church in Houston for four years, and was fired for being gay
in 1967.  After five years of searching,
I settled in Denver and spent 30 years here as a freelance court reporter.  From 1980 forward I have been involved with
PFLAG Denver, and started and conducted four GLBT choruses:  the PFLAG Festival Chorus, the Denver Women’s
Chorus, the Celebration ’90 Festival Chorus for the Gay Games in Vancouver, and
Harmony.  I am enjoying my 11-year
retirement with my life partner of 32 years, Judith Nelson, riding our bikes, going
to concerts, and writing stories for the great SAGE group.

Believing, by Lewis

In every corner of the
world, from the time a child is first able to understand her or his native
tongue, they are taught to believe what their parents believe.  They learn what “truth” is in the same way
that they learn how to wash their hands before dinner or how to dress
themselves.  At first, they do it because
their parents make them do it.  Later,
they do it because they see the sense in it. 
They learn not to touch a hot stove because it burns, just as Mommy or
Daddy told them.  They soon realize that
Mommy and Daddy are pretty smart and they could learn a lot from listening to
them.
Before long, Mommy and
Daddy are taking them to church.  In
church, they learn all kinds of new rules and “truths”.  Most, if not all, of these “truths” cannot be
verified through personal observation. 
But because they have come to trust their parents to be truthful with
them, they believe them.  Why not?  Lots of good things are supposed to happen to
them if they will only believe.
As the children begin to
go out into the broader world more and more, they soon discover that some of
the other children do not hold the same truths as “self-evident”.  This causes conflict and confusion.  Some parents—hoping at the very least to
postpone this internal uncertainty—“home school” their kids.  Others send their kids to schools whose
teachings include faith-based instruction.
So far, so good.  The parents are happy and their children are
content.  As they grow older, they become
more-and-more convinced that their view is the way things really are.  In fact, they may not even be aware that
there are people who see the world in an entirely different way.
Sooner or later, however,
they are almost certain to bump up against something they read in the newspaper
or a magazine or book that seems inconsistent with what their parents and
religious leaders taught them.  This
could affect them in a couple of ways—it might cause them to become defensive
and contentious or they might begin to question what they have always been
taught and seek to find the truth on their own.
For example, let’s say
the child has been taught and has come to believe in the story of the “creation”
of the universe as taught in Genesis.  In
fourth grade science class one day or at the movies or on TV, she or he hears
that the earth and universe were formed over billions of years.  These two ideas are hard to reconcile.  It would require quite a fertile imagination to
embrace both concepts simultaneously. 
Now, the child or adolescent is faced with making a choice between two
“truths”.  One choice will risk the child
losing the good graces of one or both parents and the other will call into
question all he or she knows about their faith, including their standing with
God. 
It’s pretty clear to me
which choice is the one to make if you want to cut your losses.  Thus, many will cling tenaciously to the
spiritual tenants of their parents, regardless of what the vast majority of
well-educated scholars and learned professors may tell them. 
This would not create too
much of a stir if not for the inconvenient truth that these individuals, whose
political philosophy is grounded in the same mythology as their religion, use
their vote and their voice in furtherance of ideas grounded not in what is
known but in what is Legend.  For these
people, knowledge is the enemy, since truth is “revealed” but only to the
“favored”.  Since they are among the
“favored”, they are not morally obligated to ever change their beliefs.  In fact, it is part of their mission to try
to prevent ideas they disfavor from ever being seen by the unwashed public.
As members of one or
another sexual minority group, we have been victimized by such people for
millennia.  Other victims include Jews,
atheists, agnostics, Muslims, Buddhists, Farsi, Hindi, Native Americans,
Africans, women seeking abortions, socialists, liberals and too many others to
name.  Would the U.S. have unleashed the
hydrogen bomb on Japan if they had been Caucasian Christians like the Germans?
I must make it clear that
I do not see “belief” per se as the problem. 
Rather, as Karen Armstrong has brilliantly lain out in her book, The
Battle for God
, the curse of all civilizations throughout time is
Fundamentalism, in any of its myriad forms. 
Essentially, Fundamentalism is the conviction (I hesitate to use the
word ‘belief”) that there is but one Truth with a capital ‘T’.  All other opinions are blasphemy and must be
wiped out.  Most certainly, they must not
ever be given any thought for fear that they might pollute the Pure Mind.  For these folks, to think, as was the
official slogan of the General Electric Co. in the 1950’s and ‘60’s that
“Progress Is Our Most Important Product” is nothing short of Devil’s Talk.
© 11 Jan 2016 

About
the Author
 
 I came to the beautiful state
of Colorado out of my native Kansas by way of Michigan, the state where I
married and I came to the beautiful state of Colorado out of my native Kansas
by way of Michigan, the state where I married and had two children while working
as an engineer for the Ford Motor Company. I was married to a wonderful woman
for 26 happy years and suddenly realized that life was passing me by. I figured
that I should make a change, as our offspring were basically on their own and I
wasn’t getting any younger. Luckily, a very attractive and personable man just
happened to be crossing my path at that time, so the change-over was both
fortuitous and smooth.
Soon after, I retired and we
moved to Denver, my husband’s home town. He passed away after 13 blissful years
together in October of 2012. I am left to find a new path to fulfillment. One
possibility is through writing. Thank goodness, the SAGE Creative Writing Group
was there to light the way.

What I Did for Love, by Gillian

My mother and I had a
strange relationship. (Boy, how many of us could start our autobiographies with
those exact same words, I wonder!) It’s not that it was not a loving
relationship. It was. But it was strangely inverted: inside out and upside
down. I, the child, was the protector, the defender; my mother the one who
needed care and protection from the rigors of reality. I intuited, at a very
early age, as little children often just feel things, that Mum was filled
inside with an aching sadness. It was, of course, my job to fix it, or at very
least to provide a counterbalance.
The first time I remember
this inversion of roles, was with reading. Of course when I was very little my
mother used to read to me, but as soon as I began to learn to read myself, she
had me read to her. Nothing so odd there, I was simply demonstrating my reading
skills. The strange thing was, that pattern remained, really, for the rest of
her life. Before I started my homework I would sit beside her and read the next
installment of the latest novel. When I visited from college or from my U.S.
home, she always wanted me to make time each day to read to her. Late in her
life, in the nursing home, I would read to her until she fell asleep. I have
often thought how much she would have loved recorded books, had they been
around in her day, but actually I’m not too sure about that. I suspect it was
more about the reader being me, so close there beside her.
The other way I was
always called upon to entertain Mum was playing cards and board games.  She loved any and all of them, and was as
excited as a little kid when she won. The result was that I consented to play
games that I felt I had long outgrown when I would have much preferred other
activities, but this was my job. It was my purpose in life. As time went by, I
found myself letting her win. Now, parents sometimes might encourage a child,
perhaps, by losing on purpose occasionally, but I have never heard any child
admit to faking a win for an adult.
My father would have no
truck with games or reading aloud, but in other ways he silently validated this
subliminal need of mine to cheer my mother, to keep her happy, to protect her.  I learned very early on that when he winked
at me, in a way I so loved, it meant that we were now to collude in some fakery
or falsehood so as not to hurt her. Mum’s culinary and needlework skills were,
shall we say, not well developed. Of course, it’s also fair to say that she was
severely handicapped by strict postwar rationing, but I couldn’t help but notice
that other women managed many and various creations with much greater
success.  None of this was ever alluded
to. After every meal, no matter how insipid or just plain burned, Dad would sit
back in his chair, pat his tummy affectionately, wink wickedly at me, and say
with great gusto, ‘By ‘eck but that was grrrand!’ or words to that effect.  
I invariably tried to
emulate his praise, but rarely managed the right degree of enthusiasm.  I wore, without complaint, strange
unidentifiable garments which were too big here and too tight there, and
sometimes had wildly undulating hemlines. My dad suffered more from Mum’s
attempts at knitting. One of my fondest memories is of him donning a
newly-knitted wool hat.  
It was too small, and the
harder he tried to pull it down to cover his shiny bald head, the more
determinedly it sprang back to sit way too high above his ears where it perched
jauntily at a dangerous angle. It came to a weird point at the top and gave my
big, solid, father something of a look of a drunken elf. The anticipated wink
made my urge to giggle almost uncontrollable. 
‘By ‘eck,’ he said, struggling to keep it from popping off the top of
his head, ‘That’ll be grrrand!’
When, in my high school
years, my aunt told me that my parents had had two children before me, both of
whom had died of meningitis at the ages of two and four, my psyche blazed with
newfound light. So it was all real. Mom really did have a huge sadness inside
her. All the time I knew it, but didn’t know it: didn’t know it was real, didn’t
know why. The knowledge changed nothing of our dynamic, it was much too deeply
ingrained. But it did make me feel less crazy, more in control. I was making
conscious choices, rather than everything I did being driven at some
subconscious level.
I could tell endless
tales of ways in which I mothered my mother, but you get the drift. But what
effect did that topsy-turvy relationship have on me at such a vital stage of
character development? Much of my life has been spent un-learning a lot of what
I learned as a child.
I found out quite rapidly
that my desire to fix others’ problems was one which must be denied. In the big
outside world, attempts to do so result in resentment and are doomed to fail.
We can each only fix our own problems, not each other’s.
My competitive spirit, if
I ever had such a thing, was still-born. I simply am incapable of feeling that
will to win which practically everyone else seems to share. So it still feels
unfair to me, to win at all, ever, when I am perfectly happy losing and no-one
else is. But I learned, quite early, that losing on purpose is not appreciated.
I got caught cheating to lose in a card game by two college friends, one of
whom I was madly in love with at the time. Ever after that game, I would catch
her looking intently at me sometimes with a puzzled expression, and our
friendship – which was all it was – was never the same again. Or maybe I just
imagined it. But it cured me of the losing habit, though not of the instinct to
do it.
On the positive side, I
learned to appreciate something done for me or given to me for the effort made,
and the love that drove it, rather than the end result. The first gift my
youngest step-son gave me was a frighteningly huge bottle of perfume. It
obviously came from some low-end dime store. The cloying, sickly-sweet smell it
gave off when opened was literally nauseating. But every morning, for what
seemed like years, I left for work bearing a big dab of the stuff, only to
scrub it off in the car. Just as my dad, leaving the house in his ill-fitting
elfin hat, doubtless stuffed it in his pocket immediately he rounded the
corner.
I am forced to wonder,
looking back on my childhood, if I actually got it all wrong. Did I, by meeting
Mum’s every need as far as I was able, in fact prolong her suffering? Had I
refused to play the mothering role, would she have been forced to be the
mother, and I allowed to be the child? But I was just a child, with no
more than instinct to guide me, and whether I got it right or wrong or some
mixture of both, I suffered too. I knew my mother loved me, but there was
something not quite right there. I felt it deep down in my young soul. I so
longed for a pure, unsullied, mother-love, which was never to be. I still yearn
for it, even as I know it can never be.
But, if I have learned
only one good lesson from my battered inner child, it is not to judge. And
especially not the judge a past which I can do nothing to change. If I got it
all wrong, and maybe my dad did too, we did the wrong things for the very best
of reasons.
We did it all for love.
© 18 Nov 2015  
About the Author 
I
was born and raised in England. After graduation from college there, I moved to
the U.S. and, having discovered Colorado, never left. I have lived in the
Denver-Boulder area since 1965, working for 30-years at IBM. I married, raised
four stepchildren, then got divorced after finally, in my forties, accepting
myself as a lesbian. I have been with
my wonderful partner Betsy for thirty-years. We have been married since 2013.