Tag: art

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Figures, by Phillip Hoyle

Following a fifth grade public humiliation in art class, I decided I could not draw figures. I was slightly interested but never liked what I drew after that. In seventh grade I signed up for wood shop to be in class with my best friend Keith. The only thing I actually liked in that class, besides cleaning varnish brushes (I liked the way twirling bristles full of soap felt on the palms of my hands), was drawing and wood burning a design onto the bookends I made. I should have signed up for art but I just knew I wasn’t an artist.

Due to my responsibilities in religious education I organized art programs for children. One teacher taught figure drawing. She made sure it included things like crosses and globes so the parents would understand why. Mostly I was interested that children grow artistically (music, drama, and visual arts) seeing them as religious expression, skills they would never forget from their childhood years in church.

Eventually I knew I needed to draw, so I bought a book on how to draw in a natural way, a large drawing tablet, and a set of art pencils. I worked at it and learned much more that I could incorporate into art projects I planned for others. Still I wasn’t a strong drawer. When I later signed up for a drawing workshop the thing didn’t get enough enrollees. I kept at my own figure drawing, even used my slight skills in my work.

Figures of speech were much more familiar to me. I had learned speech and some rhetoric in college and graduate school, wrote many papers to satisfy my professors, used the assigned topics in my own way in order to do research related to what intrigued me in the classes, preached a bit and eventually wrote professionally (probably a figure of speech itself although I did get paid for my work). I wasn’t a strong speaker, but I did enjoy turning ideas into written pieces.

Important figures in my life, you know those special people known or read about, include: my parents and grandparents, Lakota leader Sitting Bull, local minister W. F. Lown, a family friend who took me to powwows, The Reverend Martin Luther King, Jr., Professor James Van Buren, several other profs, two music performance teachers, late-in-life art teachers, Myrna Hoyle my long-time wife and mother of our children, a few other partners in my gay life, many authors, some editors, the late Winston Weathers, and now some creative writing teachers.

I figure it has taken a village of thinkers, writers, musicians, and artists to make me into what I have become these days. I celebrate them and the many, many people who have put up with me in the home, work, friendships, general community, and of course, in the SAGE Telling Your Story group at the GLBT Center of Colorado. And I add; these last tributes are not just figures of speech, but rather, real live influences and personal realities that I appreciate and revere.

© 5 June 2017

About the Author

Phillip Hoyle lives in Denver and spends his time writing, painting, and socializing. In general he keeps busy with groups of writers and artists. Following thirty-two years in church work and fifteen in a therapeutic massage practice, he now focuses on creating beauty. He volunteers at The Center leading the SAGE program “Telling Your Story.”

He also blogs at artandmorebyphilhoyle.blogspot.com

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The Art of Crafting, by Betsy

As a youngster in school or Girl Scout meetings, arts and crafts was always one of my favorite activities. I am very grateful for the time spent making things because I still enjoy making things. So when I started thinking about todays topic, I naturally pondered the question what is the difference between an art and a craft.

I decided that art is a creation of the imagination, a craft is the result of making something by hand which is a copy or an impression or a depiction of something else. Further investigation reveals that the word craft comes from an old English then German word originally meaning strength then later, skill. Skill is the key word here when it comes to the word origin. However, the meaning for me is broader inasmuch as I have crafted many an item without the application of an ounce of skill. At least so it would seem.

In my dotage I have taken up the craft of counted cross stitch. My friend Carlos has shown some beautiful examples of his work. The two main skills required for this craft are patience and good eye sight. Also being systematic about transferring the pattern from a paper to the cloth is essential.

Is this art? Technically, in my opinion it is not. I may be creating a piece based on a painting or an artist’s rendition of an object or a scene. It is imagination that produces the image upon which my craft is based. That’s the work of art. Designing the cross stitch pattern and then stitching it is the craft. Does it matter to me which it is called? No. Call it art, call it a craft, I really don’t care. I enjoy doing it. Another of it’s assets is that it’s a great filler activity very useful when watching sports on TV, when waiting for commercials to end, or when watching something entertaining which doesn’t require a lot of concentration (which is most of television, by the way.) Other times when it is a useful activity are when waiting or when one can’t sleep.

A few years ago in our travels to the National Parks, I noticed in the gift shops, cross-stitch kits of scenes from whatever park we were visiting. So I bought that first kit that I found, and have been buying them and completing them since. So far I have Monument Valley, Zion NP, Rocky Mountain NP, and I am currently working on Arches NP. I think it will be another year or maybe two before I finish Arches as it is quite large; that is, if I work on it regularly.

My last visit to a National Park was about a month ago when we spent a day at Denali NP in Alaska, home of Mt. McKinley now called Mt. Denali. I found no craft kits in their gift shop, but later in Anchorage I came upon a craft shop that had cross-stitch patterns for typical Alaskan flowers and animals. As a result of going into that shop I have now, I think, four or five cross-stitch projects waiting to be started. Considering that some projects can take two, three, or even four years to complete, I realize I better get on with it. So many projects, so little time.

By the way, I also knit baby blankets, so if any of you are expecting to be expecting in the near future, let me know early on (before you are showing) so I can get started on a baby blanket.

Ahh! So many projects, so little time.

© 2014


About the Author

Betsy has been active in the GLBT community including PFLAG, the Denver women’s chorus, OLOC (Old Lesbians Organizing for Change). She has been retired from the Human Services field for about 15 years. Since her retirement, her major activities include tennis, camping, traveling, teaching skiing as a volunteer instructor with National Sports Center for the Disabled, and learning. Betsy came out as a lesbian after 25 years of marriage. She has a close relationship with her three children and enjoys spending time with her four grandchildren. Betsy says her greatest and most meaningful enjoyment comes from sharing her life with her partner of 25 years, Gillian Edwards.

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Artistic, by Betsy

As
a youngster in school or Girl Scout meetings, arts and crafts was always one of
my favorite activities.   I am very
grateful for the time spent making things because I still enjoy making things.
So when I started thinking about today’s topic, I naturally pondered the
question what is the difference between an art and a craft. 
I
decided that art is a creation of the imagination, a craft is the result of
making something by hand which is a copy or an impression or a depiction of
something else. Further investigation reveals that the word craft comes from an
old English then German word originally meaning strength then later,
skill.  Skill is the key word here when
it comes to the word origin.  However,
the meaning for me is broader inasmuch as I have crafted many an item without
the application of an ounce of skill.  At
least so it would seem.
In
my dotage I have taken up the craft of counted cross stitch.  My friend Carlos has shown some beautiful
examples of his work.  The two main
skills required for this craft are patience and good eye sight.  Also being systematic about transferring the
pattern from a paper to the cloth is essential. 
Is
this art? Technically, in my opinion it is not. 
I may be creating a piece based on a painting or an artist’s rendition of an object or a
scene.  It is imagination that produces
the image upon which my craft is based. 
That’s
the work of art.  Designing the cross
stitch pattern and then stitching it is the craft.   Does it matter to me which it is called?
No.  Call it art, call it a craft, I really
don’t care. I enjoy doing it. Another of its assets is that it’s a great filler activity very useful
when watching sports on TV, when waiting for commercials to end, or when
watching something entertaining which doesn’t require a lot of concentration
(which is most of television, by the way.) 
Other times when it is a useful activity are when waiting or when one
can’t sleep. 
A
few years ago in our travels to the National Parks, I noticed in the gift
shops, cross-stitch kits of scenes from whatever park we were visiting.  So I bought that first kit that I found, and
have been buying them and completing them since.  So far I have Monument Valley, Zion NP, Rocky
Mountain NP, and I am currently working on Arches NP.  I think it will be another year or maybe two
before I finish Arches as it is quite large; that is, if I work on it
regularly.
 My last visit to a National Park was about a
month ago when we spent a day at Denali NP in Alaska, home of Mt. McKinley now
called Mt. Denali. I found no craft kits in their gift shop, but later in
Anchorage I came upon a craft shop that had cross-stitch patterns for typical
Alaskan flowers and animals. As a result of going into that shop I have now, I
think, four or five cross-stitch projects waiting to be started.  Considering that some projects can take two,
three, or even four years to complete, I realize I better get on with it.  So many projects, so little time.
By
the way, I also knit baby blankets, so if any of you are expecting to be
expecting in the near future, let me know early on (before you are showing) so
I can get started on a baby blanket.
Ahh!
So many projects, so little time.
  

©
8 Sep 2014 

About the Author  

Betsy has been active in the
GLBT community including PFLAG, the Denver women’s chorus, OLOC (Old Lesbians
Organizing for Change).  She has been
retired from the Human Services field for about 15 years.  Since her retirement, her major activities
include tennis, camping, traveling, teaching skiing as a volunteer instructor
with National Sports Center for the Disabled, and learning.  Betsy came out as a lesbian after 25 years of
marriage. She has a close relationship with her three children and enjoys
spending time with her four grandchildren. 
Betsy says her greatest and most meaningful enjoyment comes from sharing
her life with her partner of 25 years, Gillian Edwards.
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In the Zone, by Betsy

As one member of this group has mentioned, Mozart may be an exception to the statement “any writing is experimental.” True, Mozart was writing music not words. But there is no reason that the statement which is today’s topic cannot apply to the writing of music as well as the writing of words. Mr. Mozart is said to have been divinely inspired never having to go back over his work to correct or improve it. His writing was perfect the first try. Some might say he was continually “in the zone” at least when he was writing music.

It’s hard for me to relate to always being in the zone when I am writing. Although, I must say, some writings have come a lot easier to me than others. On occasion, depending on the topic and/or depending on my state of consciousness, I have felt myself “in the zone” as I was writing. Mostly, it is the experiences I have had that have given me awareness or knowledge which make it possible to be there. Being in the zone could be equated with being mindful—a state of complete awareness. Also a requirement for being in the zone when writing might be an element of passion for the subject and a clarity of one’s feelings about it.

I best relate to being in the zone when I am immersed in a sports activity. Some days—though they may be rare—it’s as if you can’t make a mistake in a tennis game. Or the body flows particularly easily, gently and rhythmically through the moguls on the ski slope. Those days might be rare, but we remember them—at least I do. Probably the sun is shining as well on that day, and there is little or no wind and the temperature is just right for perfect conditions.

I can recall also being in the zone in a beautiful spot surrounded by nature—feeling part of nature or one with one’s natural surroundings. Being in the zone and being completely immersed in the moment, I believe, are one and the same thing.

As for being an experiment, I’m quite sure writing falls into that category. I often set out to write about something related to the topic of the day and I find I am completely surprised at the outcome of that writing. The piece may take a totally different tack than what I had first intended.

This can apply to other art forms as well. I have attempted to draw or paint an object, a landscape, a tree or what have you. In this case I know when I start out that it is an experiment.

I have no idea how the project will turn out. I suppose that’s because I have very little experience in creating visual arts, and almost no confidence. Yet I find that to draw a tree or paint, even try to copy an object or a landscape is an adventure, and most certainly an experiment. I start out with no idea where the effort will take me, how I will feel about it, or what the outcome will be—other than either boosting my confidence or totally obliterating what little bit I had to start with.

The fact is that most active things we do—that is active vs. passive—most things we do are an experiment. Even everyday activities. That is, if we define an experiment as a course of action taken and followed without knowing the outcome. Cooking certainly can fall into that category—at least MY cooking does. Even the laundry, shopping, etc. What the heck, which outcomes CAN I be sure of. Even when I sit down to watch television who knows, (I certainly don’t)—who knows how long I will be awake.

© 24 July 2015

About the Author

Betsy has been active in the GLBT community including PFLAG, the Denver women’s chorus, OLOC (Old Lesbians Organizing for Change). She has been retired from the Human Services field for about 15 years. Since her retirement, her major activities include tennis, camping, traveling, teaching skiing as a volunteer instructor with National Sports Center for the Disabled, and learning. Betsy came out as a lesbian after 25 years of marriage. She has a close relationship with her three children and enjoys spending time with her four grandchildren. Betsy says her greatest and most meaningful enjoyment comes from sharing her life with her partner of 25 years, Gillian Edwards.

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Artistic by Ricky

Anyone who knows me at this point in my life will know that I am mostly a critic of the artistic skills of others. I learned all about the art of being critical from 66 years of living and listening to others criticizing me and my efforts and activities. I also have some practical learning in the world of art. At one point, while attending art classes for two years, my teachers gave me high marks for my creativity and technical skill with media and color application.

So as not to seem braggadocios, I will share with you some pieces of my work to prove the accuracy of my statements about my skill.

The first piece of art I will expose you to is from my early career. Like many an artist, I began with still life, in this case some fruit. Notice the excellent application of color and texture.

While living with my grandparents in Minnesota and being somewhat depressed, I next entered into what I refer to as my blue period. Using a waxy medium, I created this beautiful colorful drawing of my home back in Redondo Beach, California, complete with school bus.

I then improved my style and technique to the point that my next piece you will see was described by my art teacher as nearly as good as Michelangelo’s work on the ceiling of the Sistine Chapel. Modesty prevents me from contradicting her opinion.


Having reached the pinnacle of my technical skill in the world of traditional art, it was time to let my creativity run loose. The result was a decision to “marry” the styles of Salvador Dali with that of Picasso’s later works in impressionism and cubism.

The response was less than I had hoped for and I vowed to withhold my obvious talent and skill from the sight of the artistically insensitive, critics, and public.

By way of contrast with my work above, here is a recent piece of art by a famous artist. If my work doesn’t qualify as high quality, neither does her piece, in my opinion. Yet she is elevated to fame, while my works are dismissed.

Pablo Picasso once said, “It took me four years to paint like Raphael, but a lifetime to paint like a child.”*

My knowledge of artistic techniques is now used to evaluate the work of others and hold them to the same rigorous standards applied to my works.

I have created nothing of quality art since that time.

*Read more at http://www.brainyquote.com/quotes/authors/p/pablo_picasso.html#GRum34Xqs3xA2eIB.99

© 8 Sep 2014

About the Author

I was born in June of 1948 in Los Angeles, living first in Lawndale and then in Redondo Beach. Just prior to turning 8 years old in 1956, I began living with my grandparents on their farm in Isanti County, Minnesota for two years during which time my parents divorced.

When united with my mother and stepfather two years later in 1958, I lived first at Emerald Bay and then at South Lake Tahoe, California, graduating from South Tahoe High School in 1966. After three tours of duty with the Air Force, I moved to Denver, Colorado where I lived with my wife and four children until her passing away from complications of breast cancer four days after the 9-11 terrorist attack.

I came out as a gay man in the summer of 2010. I find writing these memories to be therapeutic.

My story blog is TheTahoeBoy.Blogspot.com

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Naturally by Gillian

I can think of only one activity in which I would possibly describe myself as artistic, and that is writing; at least if I’m going with the definition, “having or revealing natural creative skill.”

The key here is the word “natural.”

I can paint. I can draw. I could create pottery vases or even carve wooden figurines. I could play the harp in readiness for my audition for angelhood. But these are, or would be, learned skills. If you try hard enough, you can learn to do just about anything. What you cannot do is make it come naturally.

Betsy and I spent some time in Taos with her daughter, Lynne. We all painted and sketched. Mine were mechanical reproductions of the scenes before my eyes; Lynne’s, very evidently, came naturally. They had a feel, a soul, to them, that mine lacked. Even had mine more adequately reproduced the subject, though I’m most certainly not making that claim, hers would still have been more artistic.

When I write, I am, to adopt a modern expression, “in the zone.”

No, not always. Of course not. But when the result is good; good to me, which is all that matters,

I don’t even feel that it is me writing. Or, if it is, it is some other me. Some subliminal me.

When that happens it is indescribable. Perhaps it’s like some drug-induced high from the ’60’s, though I cannot say from personal experience.

Maybe all of us, when we are truly creative, feel that high.

There’s another definition of the word which I also like, “aesthetically pleasing.”

I love to take photographs. This is not an artistic endeavor! Especially today, with digital cameras which do all the work. But it has it’s own creativity.

It’s kind of on a lower scale.

I see, naturally, what creates a good image.

The camera does the rest, but I point it!

I hope my photographs are aesthetically pleasing, because that’s my goal. But I hope, sometimes, for more than that. Some of them I am simply looking for the beauty that is abundant in this world. Sometimes that is enough. But real artistry should surely engender emotion, not simply beauty. Seeing it, and then capturing it, that’s the trick.

Just last week I was driving down Colfax to Story Time at The Center, when two figures rushed into the street in front of my car. A young Hispanic woman dragged a little boy of perhaps five by the hand. Under her other arm she clutched a huge plastic basket piled high with laundry.

In the boy’s other hand he hauled an immense plastic bottle of laundry soap. In a second they were gone, safely across the street and out of sight as I moved the car forward. Of course I didn’t even have a camera with me, and if I had, everything moved too fast and too unexpectedly for me to have had any chance of capturing that wonderful image; one of those pictures worth a thousand words in the stories it tells. But, “thinking like a camera,” if you like, I did capture the shot. It is burned in my brain. I can look at it whenever I want, and seeing it I can describe it to others.

One of the greatest gifts of one’s own artistry is, at least for me, that it changes for ever how I see what I see. When I’m driving, or standing in line, or doing the dishes, I feel the words of some imaginary writing come into my head, or I’m framing the perfect photo.

If I reach the stage of life where I no longer raise a camera or a pen, I hope that gift remains with me, and continues, forever, to lighten and enlighten my life.© September 2014

About the Author

I was born and raised in England. After graduation from college there, I moved to the U.S. and, having discovered Colorado, never left. I have lived in the Denver-Boulder area since 1965, working for 30 years at IBM. I married, raised four stepchildren, then got divorced after finally, in my forties, accepting myself as a lesbian. I have now been with my wonderful partner Betsy for 25 years.

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Wisdom by Ray S.

In the 17th summer the rite of passage was upon me, slowly moving like a little boat with no oars – moving nevertheless.

We had only slept together once, without too much innovation, but I was certain I was in love. Then came the war and it wasn’t until after it that we could catch up about what life had exposed us to and what were we going to do with all of this newly acquired knowledge and especially the opportunities extended to us by our Uncle.

With little persuasion and renewed ardor I learned there was land between the great lakes and California, where the country dropped off into the ocean. Somewhere in the middle of the vast unknown a place with the romantic name of Colorado Springs floated at the foot of a mountain – Colorado what was that? He said, “follow me”.

We were roommates that 1st year of the higher education adventure and well on our way in search of wisdom.

My appointed advisor couldn’t go wrong after perusing my earlier academics with the direction to head for the nearby art center. It seemed so easy, like summer camp where all you did was have fun with paints and stuff. The Book learning on the other side of campus was the work.

Life drawing, introduction to medias, oil painting (acrylics hadn’t come on the scene yet). Design and advanced courses in practical arts. Interspersed with too much art history, a brief dalliance with a lovely older curator – a friendship that lasted long after graduation time.

Years later my greater understanding of all of that acquired wisdom came to the surface. Not just the doing of learning – I don’t mean to discount that reality, but the overview that comes from the passage of time and recognizing the wonder of the many experiences I had been exposed to. Seems to me that one can be so involved in the actual doing at the time that you aren’t aware of what is really happening to you. It all is taken for granted.

Those basic art classes were taught by none other than a successful all around artist & sculptor. The head of the school and art center was a world-renowned artist. An esteemed lithographer and teacher opened a door for me on a medium I had never even thought about; much less one I could acquire a working and creative knowledge of. I don’t think I was truly aware of the discovery and wonders of what he potentially guided me through until years later.

All of these men were established practicing artisans, but they had to have day jobs too. Most important they were our mentors.

Several years past, I came across the death notice of my artist/sculptor oil painting teacher. The listing of his accomplishments and works was remarkable to say the least. His legacy to the art world and society is acknowledged and respected.

Thumbing through at art dealer’s selection of prints and drawings one sunny spring morning I came across 2 small pages from an artist’s sketchbook. I was struck by the sureness and economy of line in the drawings. Not unlike those of Picasso. Nude couples in repose, thought provoking but not quite prurient. To my surprise and pleasure I discovered they were 2 original line drawings of my one time oil painting teacher. The long stored away memories of those student times flooded my thoughts – this time not of just the actual mechanics or doing them, but the afterglow, if you will, of all of the collateral WISDOM that resulted from that chapter in my book of life. Acquisition struck and followed.

The prints are at the framing studio now.

© June, 2014

About the Author

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Exploring by Michael King

In my fantasies I perceive myself as one who would explore places, ideas and experiences. Then I remember being in the Amazon and knew that without a guide I would get hopelessly lost. With that in mind I realize that in most areas except in reading books, checking out Google or in conversation I probably need a guide. Merlyn is the perfect guide and has had phenomenal experiences, is knowledgeable in computers and anything mechanical and has traveled and lived all over the mainland 48 states. I on the other hand was (and mostly still am) computer illiterate, non-mechanical and have no idea geographically the distance between one city and another or even the configuration of the states east of the Mississippi. I guess I’m not much of an explorer when it comes to even looking at a map. However, in areas of the spirit, aesthetics, design, color, cooking, feelings and ideals I have a world of my own and explore where few have or would even be interested.
For the most part I don’t even think in a language and probably wouldn’t be able to effectively communicate my inner world to another person nor can I imagine anyone even being interested.

The first time I traveled outside the western United States was when I was in the military. I took photographs while I was in Thailand. They were really excellent and I was so proud to show them to my family both as images representing where I had traveled and as artistic photography. I never did get anyone to even look at them. They weren’t interested. From that time until Merlyn insisted that I use his camera to take a few shots of my paintings and my apartment did I ever use a camera again. Looking back I realize that in Thailand, in the Philippines and in many other places around the world I have done a lot of exploring, especially if I thought I could ask directions if I got lost. I didn’t feel that way in the Amazon or in parts of Africa where I felt I needed a guide. I feel I also need a guide with the computer and not just once but repeatedly.

Exploring the inner world there is a kind of guidance but I only realized that after many years. In research I often find that I am limited by the authors of the material that is either in the library or on the internet. The key there is figuring how to locate what I’m looking for. These days I’m too occupied with activities and relationship to do much serious exploration using books or even the computer.

We spend most of our time exploring antique and junk stores. I am surprised at what one can find in a thrift store. We check out museums, places of interest as we travel and we explore each other’s memories and experiences.

The attitude I have now is to fully experience today and explore the possibilities that exist in the moment. Sharing that with someone makes each day a process of discovery, freshness and exploration.

April 29, 2013

About the Author

I go by the drag name, Queen Anne Tique. My real name is Michael King. I am a gay activist who finally came out of the closet at age 70. I live with my lover, Merlyn, in downtown Denver, Colorado. I was married twice, have 3 daughters, 5 grandchildren and a great grandson. Besides volunteering at the GLBT Center and doing the SAGE activities,” Telling your Story”,” Men’s Coffee” and the “Open Art Studio”. I am active in Prime Timers and Front Rangers. I now get to do many of the activities that I had hoped to do when I retired; traveling, writing, painting, doing sculpture, cooking and drag.

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Pig Latin by Phillip Hoyle

I feel like the kid on the playground who feels left out, the one chosen last for a team, the one who has to read to the class but knows she won’t do well, the only one that doesn’t know Pig Latin. I feel like my father did when he picked up one of his grandsons at middle school. My nephew and a friend sat together in the back seat and talked with one another about their computers. Dad said he didn’t understand a thing they said for the duration of the twenty-minute drive home. I feel like I’ve fallen behind the whole world, sure I’d find questions on the current GED test incomprehensible. I feel like I’m falling off the grid. “Stop the world, I want to get off” captures some of my sentiment, but why this despair? I get around life just fine, enjoy reasonable work, nice enough friends, and occasionally even leadership. I’m not sure what I feel is despair, but I do feel pressures of a new job, one that I am interested to do but realize that it pushes me into a world of assumed knowledge that I don’t possess.

Computers are not new to me. In the late 1980s I met several PCs with their word processors. For ten years I successfully wrote book-length manuscripts using my PC WPs. To my family’s consternation, I’d tie up the home phone line in order to visit a friend’s bulletin board that gave me access to Shareware and some games. I heard the talk, appreciated the crude graphics, and came to appreciate the advantages my computer and word processor gave me. I enjoyed my experiments with Paint Brush and even tried my hand with some simple data bases.

I had bought the PC in order to write. I bought it at the suggestion of a writer and an editor, purchasing it at the outset of a project I had agreed to do and finished paying it off when I received my writer’s fee. I learned on the job by making mistake after mistake and solving the problems sometimes on my own, sometimes following the advice of others more experienced than I. So I learned to adopt my software and computer function with DOS smart commands, a few new programs, and several creative uses. I paid attention to what the computer needed and became at least moderately efficient in my applications. In the 1990s I entered a conversation—one of those on-line things now usually called a blog—one concerned with topics of professional interest; but I didn’t find the discussions all that interesting or pertinent. I think my life was changing too quickly, my interests moving towards the visual arts.

Still, I wrote. Still I maintained some records in a database. Still I experimented with Paint Brush. But most of my attention was focused on my art table with paper and ink, canvass and paint, design and technique. When my editors at the publishing house no longer could tolerate my antique technology, I got an Apple, then another more modern PC, and finally my PC laptop that went so fast I could never keep up. By then I had lost the curiosity factor. The WP was okay although not as convenient as the writers software I’d liked for years. Word for Windows didn’t thrill me. In fact, I never really got used to Windows. It seemed as if the attempt to make the computer more user-friendly just irritated me. I couldn’t see what was happening.

I believe my quick forays into Cyberspace were really the most intimidating factor, the ones that left me feeling like I wasn’t cutting it. I recall scares when my computer would start doing frightening things. I wondered would it die a cruel death? Explode into flames? I didn’t know but timidly accommodated myself to this unfriendly playground world.

Oh it’s gotten better for me in the 2000s. I am more at home, but suddenly I am working with “The SAGE Blog”—it always reminds me of the old movie “The Blob”—and threatens to engulf me, taking over my time and attention, and threatening to alter me in ways I don’t invite. I guess the problem is that the Blog is so social in its nature: its contributions, comments, and maintenance. I’ve always worked with people successfully, but now it seems too many of them are speaking Pig Latin or some other language I don’t easily understand. One very friendly and helpful techie said, “Well, Phillip, welcome to the cyber world.” But I’m not a techie or even a Treckie. I’m on a journey of learning but feel like I’m floating through this new, endless space with no thrusters. Still I am learning.

This in Pig Latin:

Omesay aysday Iway eelfay atthay Iway annotcay understandway atwhay isway expectedway ofway emay. Easeplay ebay atientpay. Iway aymay otnay understandway ethay echnicaltay eedsnay ofway ybercay ommunicationscay ellway, utbay Iway amway oingday ethay objay. Eoplepay owhay oday understandway areway akingmay itway appenhay inway itespay ofway ymay eeblefay attemptsway. Ifway ingsthay ogay ellway, ouyay ancay eginbay eadingray oriesstay onway ourway ownway ogblay extnay Ondaymay. Atwhay unfay itway illway ebay.

Quick; back to English.

Some days I feel that I cannot understand what is expected of me. Please be patient. I may not understand the technical needs of cyber communications well, but I am doing the job. People who do understand are making it happen in spite of my feeble attempts. If things go well, you can begin reading stories on our own blog next Monday. What fun it will be.

Again, thanks for your patience. I’m learning. Say a prayer or something for me that I will do the work well.

Note: This piece was read to the SAGE Telling Our Stories group at the end of September last year, just before this blog appeared. We’re celebrating the completion of our first year this month!


About the Author


Phillip Hoyle lives in Denver and spends his time writing, painting, giving massages, and socializing. His massage practice funds his other activities that keep him busy with groups of writers and artists, and folk with pains. Following thirty-two years in church work, he now focuses on creating beauty and ministering to the clients in his practice. He volunteers at The Center leading “Telling Your Story.”

He also blogs at artandmorebyphilhoyle.blogspot.com