My Diploma is Green and White, by Carlos

Almost fifty years have passed since I graduated from Technical High School, and as I recall those years of innocence and impertinence, frames materialize like a strange harvest in a room long abandoned and musty with disuse. Being introspective by nature, I am ambivalent about pulling back the curtain of time. Nevertheless, as soon as I activate my memory banks, endless frames of quasi-like silent-era flashbacks emblazon the darkness. In my mind’s eye, we, the young people from a former time, beam with the radiance of youth and expectations, anxious to discover our horizons, to journey down the gurgling eddies of time.

From a historical context, 1968 was a cataclysmic year in American history. Most of us were well aware that our fates were changing. Our nation was in the throes of war in Southeast Asia, and many of us could no longer bury our heads in denial. Soon, we would be called to fight in foreign shores, forfeiting our innocence, and in some cases our lives. Our duty done, we would return to the States to face averted eyes and whispered silence due to the war’s unpopularity. By 1968, the civil rights movement was roaring. America was burning, citizens were taking up the call for righteous causes, and democracy was being tested. Only weeks before my graduation, a great prophet for justice was assassinated in Memphis, prompting a renewed awareness to activism, to an acknowledgement that a democracy of the few and the privileged is but a Portuguese man-of-war ensnaring with its venomous tentacles. Furthermore, in 1968 feminist protestors targeted the Miss America Beauty Pageant as sexist and demeaning to women, further highlighting a civil rights movement that continues to this day. Unfortunately, our last vestige of hope withered on the vine when the hopeful rhetoric of Robert Kennedy was silenced and our disillusioned with American politics germinated in full. Thus, we, resplendent in our graduating colors, green and white, recognized that due to changing social norms, the world we were inheriting was a powder keg. We found ourselves confronting realities over which we had so little control and conflicted about the role we would ultimately play in the annals of history. We were being catapulted headlong into a microburst of epic proportions.

In a sense, my diploma was a rite of passage. For one moment we allowed ourselves to believe that we were stepping forward into a new America. We were idealistic and naïve. After all, most of my classmates were first generation Americans or newly arrived immigrants whose fathers slaved long hours to keep afloat and whose mothers struggled with day-to-day economics as homemakers or underpaid laborers. Nonetheless, our parents had placed their hopes for the future on our generation, yet within a year most of us would recognize we were small fish thrust into a deep and turbulent sea. The fact is, this was Texas in the late l960’s. Although I had wanted to attend a college-preparatory high school, my advisor felt I would be better off going to a vocational school. My parents, in spite of their acknowledgement that I was gifted and capable, deferred to the counselor since they, my parents, could not navigate through the shoals of English. An unspoken atmosphere permeated society that people from the barrio were better off goaded into the future by benign agents acting on our behalf. Thus, I accepted my fate. Although I was on the “college trek”, I recall reading Shakespeare’s A Midsummer Night’s Dream in my senior English class, and it wasn’t until years later that I realized it wasn’t a play about a foolish donkey, but a metaphor about how love often deludes and eludes so many. At Technical, I never grasped calculus or physics, nor did I ever interact academically with the best of the college preparatory students from other high schools. Most of us were struggling with English, with citizenship, with self-validation. At graduation, we were appropriately attired in a white and green cap and gown, tassel to the right; no deviation to the norm was tolerated. Most of us simply accepted the realities of our lives with stoic resignation, or more tragic yet, with blind obliviousness. In spite of the reality that the late sixties ushered in a generation of malcontents and politically active young people, for the most part we accepted our reality. Only with time would we become conscientious warriors, gay and lesbian activists, feminist advocates as we rebelled against the constraints that bound us. Unfortunately, by then, our numbers had been culled by war, by AIDS, by poverty, and by the bitterness of life on the fringes. Nevertheless, some of us remained true to our zealous ideals in our attempts to forge a new world of inclusiveness. Speaking for myself, being resilient and tenacious, I burned the midnight oil and rolled up my sleeves and lived to tell my tale.

It goes without saying that I struggled, and continue to struggle, with my being gay after high school. I had no mentors nor role models to inspire me. I was weaned on misguided, homophobic values by ill-informed proseltyzers of morality. Even after I became an adult, I retained the shame of condemnation, feeling tainted, miserable, and lost. So much of our LGBTQ history has been a divine comedy as we journeyed into inner circles of hell. Too many have died from the ravages of AIDS; too many have committed suicide, often brought about by alcoholism and drug abuse. Too many have struggled to find a niche, disappearing into the shadows like the characters in John Rechy’s City of Night. So much has changed; so much remains to be done. Just last semester one of my students, a gifted 19-year-old man, committed suicide when he could not come to terms with his identity. Thus, we the survivors and the sages of our society, need to continue to provide direction, being that we have accrued a litany of survivors’ tales and remain standing nonetheless.

As I return from the journey of my youth, I recognize the timelessness of memories. The flickering images capture a moment in time that becomes my on-going narrative. The fact is that like Dorothy, Kansas or Texas or wherever will always be our foundations. In spite of Thomas Wolfe’s admonishment that we can’t go home again, we need to return if we are to recalibrate our navigating sextants. The journey into my green-and-white past reminds me that life must be lived without regret, since there is no point in wishing the pilgrimage had been different; it is what it is, but if I choose to do so, I can glean the knowledge that it has served me well. Therefore, though in retrospect I might have preferred a different map, the map I was offered was, in fact, a cartographer’s masterwork. Thus, guided by that blueprint, I look forward to the golden days that remain with the same fervor and curiosity as I did the green days now accomplished. Any regret is nothing more than a bowl of warm, curdled milk.

© 8 August 2016

[Editor’s note: Although this story was published here previously, its message is an inspiration and needs to be heard.]

About the Author

Cervantes wrote, “I know who I am and who I may choose to be.” In spite of my constant quest to live up to this proposition, I often falter. I am a man who has been defined as sensitive, intuitive, and altruistic, but I have also been defined as being too shy, too retrospective, too pragmatic. Something I know to be true. I am a survivor, a contradictory balance of a realist and a dreamer, and on occasions, quite charming. Nevertheless, I often ask Spirit to keep His arms around my shoulder and His hand over my mouth. My heroes range from Henry David Thoreau to Sheldon Cooper, and I always have time to watch Big Bang Theory or Under the Tuscan Sun. I am a pragmatic romantic and a consummate lover of ideas and words, nature and time. My beloved husband and our three rambunctious cocker spaniels are the souls that populate my heart. I could spend the rest of my life restoring our Victorian home, planting tomatoes, and lying under coconut palms on tropical sands. I believe in Spirit, and have zero tolerance for irresponsibility, victim’s mentalities, political and religious orthodoxy, and intentional cruelty. I am always on the look-out for friends, people who find that life just doesn’t get any better than breaking bread together and finding humor in the world around us.

Mushrooms, by Phillip Hoyle

I read a lot of Carlos Casteneda, his reports and stories of learning about healing plants used by Yaqui healers and magicians. I wondered about the drug effects, but they were not a part of my life in Kansas or Texas, Missouri or New Mexico, Oklahoma or Colorado. But in those same places his ideas and experiences were emulated by others, even by people I knew. I read—I do a lot of that—but I didn’t experience firsthand what these others knew. Oh, I did occasionally use mushrooms in salads or omelets; I ate them on steaks. I liked them but always thought of them as a luxury, a kind of decadent French sort of thing. But of course those were simple mushrooms with no powers beyond pleasing the pallet or filling the stomach.

One of my friends used the other kind of mushrooms for quite a few years. He always seemed on a quest for esoteric knowledge. Once he told me that if he wasn’t drugging, his quest went flat. High he could convince himself that the worlds of ESP, Zodiac, and other mind-bending pursuits and readings seemed wonderful: the Truth. Later, when seriously addicted and then having a cancer removed my friend was scared away from the drugs he had used and abused. Now he uses only prescribed pain killers and some un-prescribed alcohol. He’s calmed down and in his drug-lite life is saving enough money to pay off his school debts. He’s changed and seems unconcerned about special knowledge. He may feel like he’s once again living life in small-town Mid-America. I suspect, though, dancing to techno music with a light show in some cool bar could easily transport him back into the world of visions, but without the drugs he’d still be saving a lot of money. (Perhaps I’m a bit too hopeful and way too practical.) My friend’s doing well now on a path of self-preservation rather than destruction. His mind is keen. I hope he can keep it that way. Still I fear post traumatic stress reactions could become too much.

I’ve never seemed to need any kind of hallucinogen to get my mind rolling with images of the exotic, unseen, and overwhelming excitement. Always a daydreamer, I experience the unusual and incorporate those ideas and images in my teaching, writing, and artwork. I have done so not to escape, not to clutch or control power, not to become extraordinary; I have done so because the acts and perspectives seem to be what I am. Look at my life: I may seem strange.

See me…

Standing there looking at landforms I somehow love, like the relatively flat tops and steep slopes of the Kansas Flint Hills; OR

Dancing like a traditional American Indian decked out in leather and feathers, wool and beads; OR

Frightening preschoolers when I am wearing an African shaman’s mask at church; OR

Looking at a painting in the Denver Art Museum while I imagine that I am riding a horse across the high plains; OR

Dancing in rehearsal to get my middle aged and elder white choir members into the rhythm of an African American spiritual; OR

Standing alone on a hill at age twenty feeling filled with wonder at my body’s sexual relationship with nature; OR

Smoking my annual cigar at a retreat while I take in the act with a sense of exultation; OR

Sipping a beer while I prepare paints at the outset of an art project in my studio; OR

Prancing with wild abandon while I dance with a friend or alone in a techno bar on an urban Saturday night; OR

Standing on a western Colorado escarpment surrounded by hundreds of petroglyphs imagining that I can hear the horses, smell the fires of piñón and juniper, hear the chant of the singers, respond to the beating of the drum and ratcheting of bull roarers, and watching the lines of dancers greet the vernal equinox; OR

Sitting in my room as I imagine bears emerging from their winter caves to begin the seasons of warmth; OR

Seeing hunters track the deer, the sheep, and the buffalo; OR

Watching a poet friend prostrate himself before the dancing Shiva in the temple of his lonely Denver apartment made full, light, and lively by the divine presence.

I feel, see, smell, touch, taste the world, common, daily, and extraordinarily a swirl of life and love.

Guess I’ll forego the mushrooms and simply close my over-active eyes to explore some other part of my mind.

Well, something like that.

Denver, © 2013

About the Author

Phillip Hoyle lives in Denver and spends his time writing, painting, and socializing. In general he keeps busy with groups of writers and artists. Following thirty-two years in church work and fifteen in a therapeutic massage practice, he now focuses on creating beauty. He volunteers at The Center leading the SAGE program “Telling Your Story.”

He also blogs at artandmorebyphilhoyle.blogspot.com