Clearly, by Phillip Hoyle

My writing teachers are still trying to teach me to write clearly. That seems like quite a challenge for a teacher to take on. While most of my instructors really have liked me—I am easy to get along with—they have had little clue of how my mind works, its story-laden way of expressing truth, its constant internal argument about what this writer wants, believes, and cares about, its strange logic, and its confusion over things spatial. Now that’s a special-education brain if there ever was one. I’m neither proud of nor ashamed it, for it’s the only one I have. Many teachers have set out to set me straight. Obviously they failed to do that although they have taught me many helpful and creative processes, ideas, and the like.

When I was first given a contract for a write-for-hire curriculum resources project and sent in my first draft of the first session, it came back to me looking very sorry, dripping in red ink and words of encouragement. I made the required changes—the ones in red ink—and thought through all the suggested comments—written in blue pencil. I didn’t have to make all these blue changes. I quickly typed in the red comments and found out that my editor took my awkward, unclear sentences and with a few red-ink changes made them say exactly what I meant. I was impressed and wondered where I was when they were handing out brains. What did I ask for? Perhaps I just wanted to have a good time which might not necessarily mean to think clearly.

My patient teachers have had to slow me down, to make me read and reread everything about a hundred times, over a time period lasting several months, sometimes several years. Of course that never works in write-for-hire jobs; the editors have deadlines to meet. I gave them things on time and looked forward to their corrections to make clear just what I was trying to say. I guess for them my being on time was a higher value that first-try clarity. They kept using me for ten years. Then I was done with that kind of writing.

Unfortunately, SAGE of the Rockies “Telling Your Story” program doesn’t give me enough time. I mess around in my early morning writing and scratch a few lines or run to the word processor and peck away hoping not to compound my lack of clarity with too many typos. It’s fun to write these stories, and I hope no listeners or readers spend too much time trying to analyze my logic or even common sense. If I have logic I’m sure it’s not common. If you hear or read something funny, just laugh. If I’m around I’ll smile with you. It’s all just another story to me. Did I say that last clearly enough?

And thanks for being as patient as have been my teachers and editors. 

© 20 November 2017

About the Author

Phillip Hoyle lives in Denver and spends his time writing, painting, and socializing. In general he keeps busy with groups of writers and artists. Following thirty-two years in church work and fifteen in a therapeutic massage practice, he now focuses on creating beauty. He volunteers at The Center leading the SAGE program “Telling Your Story.”

He also blogs at artandmorebyphilhoyle.blogspot.com

Clearly, by Pat Gourley

So clearly is an adverb that means without doubt or obviously. With that definition in mind it is a word I should “clearly” be very cautious in using. It should be admonition enough against using this word that the main school of Korean Zen I have followed for years preaches, “don’t know mind”. In a jacket blurb for Richard Shrobe’s 2004 book Don’t Know Mind author Jane Dobisz defines Don’t Know Mind as “our enlightened mind before ideas, opinions, or concepts arise to create suffering”.  Well, I guess that might explain why despite my privileged white male existence I feel I suffer so much.
Let me cast caution to the wind and most likely prove my Zen teachers right by sharing examples of where I at least quietly in my own head use the word clearly.  Multiple times a day I most often say silently to myself: clearly, you are an idiot. Or clearly, your driver’s license should be permanently revoked. When seeing the current White House Press Secretary at her daily briefs and saying out loud to the T.V. clearly a blind monkey did your makeup. And most frequently these days clearly the words ‘President Trump’ must just be part of a bad dream and I’ll wake up soon.
Putting the many ideas, concepts, and opinions aside that I so often attach the word clearly so there are somethings in my life that are fact and the use of clearly or its synonyms ‘without doubt’ or ‘obviously’ are quite appropriate. Without a doubt, my HIV meds are keeping me alive. It was quite obvious that the early symptoms of HIV infection and T-cells below 200 I was experiencing in the mid to late 1990’s were clearly related to poor viral control due to inadequate medications.
Without doubt, I have diabetes with my most recent HbA1c being 7.6. Clearly, this needs to be addressed or the ravages of high blood sugars will come home to roost sooner than later. Since I already take a butt load of pills every day the thought of adding diabetes’s medicines is in my mind something to be avoided if at all possible. Despite what I think is the obvious solution to a low fat whole-foods-plant-based diet and daily exercise I find this regime to be quite the challenge.
At times I clearly try to rationalize the recent HbA1c of 7.6 by blaming my HIV meds, which are certainly a contributor, but not something I can do without. My recent 6 weeks in San Francisco also proved to be a dietary challenge but the reality is there are plenty of grains, fruits, and vegetables for sale all over that City, really more readily accessible than here in Denver. Just because I spent my mornings fixing breakfast for B&B guests and serving them cholesterol bombs in the form of buttered toast and eggs along with that delicious class one carcinogen, bacon, I clearly did not need to sample the leftovers. Serving steel cut oats, almond milk and fruit for breakfast to most B&B guests would not result in many positive online reviews I suspect.
It is easy to say but for me hard at times to resist. The smell and taste of bacon must surely be the work of the devil, if I believed in the devil: clearly here nothing to blame but my own lack of self-control.
Another fact-based use of the word for me would be: clearly I am one lazy-ass writer. Though participation in this group has been valuable in many ways I am also confronted with my slothful writing habits on a weekly basis, merely coasting on residual grammar habits instilled by years with the Holy Cross nuns. The prompt of a word or two as impetus for writing about my life has for me in some ways been quite ingenious and on occasion productive. It does get me to put fingers to keyboard though most often just a few hours before group.
The lazy part comes for me in that I almost always have many ideas on a subject that would without a doubt require much more thought, energy and research than I am usually willing to devote to it. The excuse I most often use is to keep my word count less than 800 and I do find it a worthwhile challenge to get the point across in as few words as possible. A more honest reflection here might bring into question my need to use valuable time watching all 16 Dead and Company shows, each at least three hours long, on their current fall tour or my near-daily masturbatory dedication to online adult entertainment, many hours clearly thrown into that void. That would be the adult entertainment into the void and not the Dead, who are playing superbly this go around by the way.
So despite my shortfalls here the discipline of writing at least several times a month has clearly been beneficial. Thank you all!
© 20 Nov 2017 
About the Author 
I was born in La Porte Indiana in 1949, raised
on a farm and schooled by Holy Cross nuns. The bulk of my adult life, some 40
plus years, was spent in Denver, Colorado as a nurse, gardener, and gay/AIDS
activist. I have currently
returned to Denver after an extended sabbatical in San Francisco, California. 

Clearly, by Gillian

Looking back over my life, at least the first forty or so years of it, very clearly I saw very little very clearly; both literally and figuratively.

From an early age I wore very thick glasses. Some time in my early to mid-forties I had laser surgery and discovered what seeing clearly really meant. Tests had always shown that I had 20/20 vision via my glasses, but it never offered the clarity with which I saw the world after that surgery. I cried tears of joy the next morning when I realized that I could lie in bed and clearly see the trees outside my window without first needing to grope around on my bedside table for my glasses. Betsy had to walk round the block with me when I first left the house, I was so disoriented. Everything seemed to jump up to meet me; too clear and too big and too close.

Twenty-five or so years later, my eyesight is deteriorating a little, and recently I discovered I have glaucoma, so perhaps my days of seeing so very clearly will be disappearing. Already I wear drugstore glasses for reading. That’s OK. I am just so grateful that I have not lived my entire life without ever knowing the real meaning of seeing clearly.

Oh, and how sincerely I mean that in the figurative sense as well. I could, I guess, have gone through my whole life without ever clearly seeing myself. Many have, many do, and many will in the future. And, yes, I am primarily talking about being GLBT but not that alone. Seeing yourself clearly, with all your complexities, is a serious life-long challenge. There’s an old Robert Burns poem which wishes that we all might have the gift to see ourselves as others see us. Sorry, Robbie, but I don’t see a solution there. Every one of you at this table sees me differently so I cannot imagine much more confusing than trying to see myself as every person I ever meet might see me. On the other hand, when I eventually came out to co-workers and friends there were a few who responded with well duh! looks or well I knew that kind of comments so if I’d seen myself as they saw me I might not have had to wait till my early forties to see it clearly for myself.

A good analogy of my coming-out-to-myself process I now see, looking back on it, as trying to see myself clearly via various visual depictions of myself. You know that famous Malevich painting, ‘The Black Square’? One version of it sold for the equivalent of a million dollars and, with due apologies to all sincere fans of purely abstract works, to me it looks like nothing more than a black square. Well, the first twenty or so years of my life, I might as well have been trying to see myself in that black square. Or as that black square. The more I looked the less I saw of me; hadn’t a clue. Or probably in fact the last thing I really wanted to see was me, and I was perfectly happy to see nothing more than a black square. By my late twenties I maybe had progressed to a vision of myself more akin to Suprematist Composition by the same artist, a jumble of confusion which I actually quite like, if not to the extent of the sixty million dollars for which it sold. I have always quite liked myself, but certainly saw myself as a jumbled confusion at this stage.

In my thirties I progressed to around the expressionism of Munch’s ‘The Scream’. Far from a realistic portrait but nevertheless clearly a scream – something I was feeling ready for about then. I was awash with frustration without knowing why. My life was good – no, it was great – so why wasn’t I satisfied? By my late thirties I had reached impressionism. You know, Monet’s water lilies etcetera, very clearly waterlilies but nevertheless a bit fuzzy.

And suddenly, in my early forties, I took one huge step for womankind; well – for me, anyway.

I saw myself as clearly as in any realist painting but more so. I saw the reality of my queerness with all the clarity of an award-winning National Geographic megapixel photograph.

But that, great breakthrough though it was, was all about being lesbian. I still had plenty more to look deeply into if I was truly to get a clear view of my whole self; all of me.

This group has been of immeasurable help in propelling me to dig really deep inside, to try to really see and understand what’s there and to be at peace with all of it – the good, the bad, and the ugly. Perhaps it explains the lack of appeal which purely abstract art has for me, and at the same time why I love photography. A photo can be so terrible it makes me cry or so beautiful it makes me cry, but I don’t have to wonder what it is, just as I no longer have to wonder who and what I am. I am here, I am queer, and I’m perfectly clear!

© November 2017

About the Author

I was born and raised in England. After graduation from college there, I moved to the U.S. and, having discovered Colorado, never left. I have lived in the Denver-Boulder area since 1965, working for 30 years at IBM. I married, raised four stepchildren, then got divorced after finally, in my forties, accepting myself as a lesbian. I have been with my wonderful partner Betsy for thirty years. We have been married since 2013.