Hooves, by Phillip Hoyle

Hooves are more a fantasy than a reality for me, the sound of hooves on the ground more a live radio show trick than an experience of being near live horses. I guess that is part of my city life upbringing although our city had the grand population of 20,000 and sat in central Kansas. There were real horses nearby.
I remember my grandfather Schmedemann’s team of horses that pulled the hay wagon during bailing. I sat on Grandpa’s wagons and imagined flipping the reins to make those huge animals pull me, but due to their size, I kept my distance. I remember their stalls in the north end of the stock barn and the leather strips they wore on their backs to keep the flies off while they worked. I don’t recall just when they were no longer around, sometime in my mid-childhood, but I’m sure I learned the phrase “sent to the glue factory” around then. I don’t know if it was at all true. I did like their large hooves and the shoes they wore.
I recall real hoof sounds from horses in hometown parades, the Cheyenne Wyoming Frontier Days in 1959, and other parades and rodeos in following years, right up to Denver’s Pridefest Parade I started watching in 1999.
The only horses I actually rode besides the pony in a pony ring at an Estes Park resort were likewise in Colorado years apart, two trail rides. The first when I was a teenager I recall in vivid detail. The trail master shouted, “Pull your reins to the right,” to us not long after we’d begun the climb above the Big Thompson River. I didn’t understand or was too preoccupied with my daydreams not to even have heard him. My horse probably didn’t know that much English or looked to see the trail master. She walked the path several times a day all summer long but that afternoon saw off to our left the small bear that concerned the trail leader. I didn’t know what was going on but remember my horses’ hooves clattering on the rocks as she tried to push ahead of other horses on the trail. That’s when I heard the follow-up command shouted at me. “Hey you, pull your reins to the right,” and to everyone else again, “Don’t let them see the bear.” I did so and finally realized the problem. Both the horse and I were okay. The bear was probably laughing. Of course, I’d never even heard of a laughing bear.
The other ride was with a youth group I led. We were at a resort on Grand Mesa. Most of the kids wanted a trail ride. I joined them and held my very young daughter in my lap. About two minutes into the ride she fell asleep. I held her close to me as we went up and down steep slopes, jerking and jostling with the rhythm of the horse. She slept calmly the whole ride while my arms got very, very tired.
I can still play gallop like we kids did in childhood but I rarely do so these days. My grandkids grew up. I have some great grandkids but don’t know if they will ever want to play horse. Maybe I’ll find out at Christmas.
© 9 October 2017  
About the Author  
Phillip Hoyle lives in Denver and spends his time writing, painting, and socializing. In general, he keeps busy with groups of writers and artists. Following thirty-two years in church work and fifteen in a therapeutic massage practice, he now focuses on creating beauty. He volunteers at The Center leading the SAGE program “Telling Your Story.”
He also blogs at artandmorebyphilhoyle.blogspot.com

I Don’t Know, by Phillip Hoyle

“I don’t know.” What a topic, so open. It reminds me of doubt, the inability to choose, even loss of memory. Not knowing was a common experience for me as a kid. I recall looking at souvenirs in an Estes Park shop one summer afternoon. I had money and wanted to buy something with it. I looked at animal figurines wondering which one to select. I didn’t know. Finally, I bought a bear. As an adult, I reasoned I did so because of its connection to Native American life and lore. I never regretted that choice and the bear turned out to be an interesting animal and somewhat a symbol for me.
I am quite aware of the problem of choice for late teens who may have vocational interests, talents, and potential. I certainly was one of those. Having been recruited for ministry, I watched that world carefully. I had many other interests as well but finally went with the church work. That choice was much more important than deciding between kinds of candy or cookies or figurines. I didn’t regret my ministerial choice or career even though I eventually left it. At age 50 I chose to get out of it having tired of the incessant meetings. I knew when to leave.
In other ways, I said, “I don’t know,” but when I did, I believe saying so might have been a dodge, a frustration, or sometimes the truth. Still, I think about it; I have to make decisions. When I choose, I try to stick with the program, and I am a pretty good sticker: witness 29 years with my wife, 32 years in church work, many years directing vocal ensembles, 20 years developing curriculum resources, years of work on several manuscripts, 15 years with Jim and Ruth, quite a few years with SAGE’s Telling Your Story, almost as many years the SAGE blog, on and on. I feel I just don’t know so often, yet I do know. My doing is related to a belief fostered by Mother who led Girl Scout troops, reared five children, presided over the PTA, taught leadership skills to adults and youth, and organized in the community. She said, “You set your mind to the task and do it. You can do it.” So that’s what I have done. I may know that I don’t know. I certainly didn’t know anything about blogs, but now I have two of them. Too often when I turn on my computer I can’t get into the program. I don’t know, but I think it through overcoming my frustration and eventually complete the task at hand.
Ninety-five-year-old Ruth often says to me, “I don’t know.” While we are working on our jigsaw puzzles—we’re in our fifteenth year—I ask about her past, her ideas, her kids. In answer to many questions, she simply says, “I don’t know.” I envy her. If at age seventy I said “I don’t know” as often as she does, they’d hurry me off for a brain scan and some therapy. But at 95 you can say what you want. Nobody will argue. I told Ruth our topic for today and said I wanted to tell a story about her. She scrunched up her face in distaste. “But, Ruth,” I said, “the group loves when I include you in my stories.” I made no promises to her. You see, for me “I don’t know” is the best line from a 95-year-old who looking me straight in the face said, “You’d better not.” Apparently, I didn‘t know how to be scared of her.
© 10 July 2017  
About the Author  
Phillip Hoyle lives in Denver and spends his
time writing, painting, and socializing. In general, he keeps busy with groups
of writers and artists. Following thirty-two years in church work and fifteen
in a therapeutic massage practice, he now focuses on creating beauty. He
volunteers at The Center leading the SAGE program “Telling Your Story.”
He also blogs at artandmorebyphilhoyle.blogspot.com