I Don’t Know, by Phillip Hoyle

“I don’t know.” What a topic, so open. It reminds me of doubt, the inability to choose, even loss of memory. Not knowing was a common experience for me as a kid. I recall looking at souvenirs in an Estes Park shop one summer afternoon. I had money and wanted to buy something with it. I looked at animal figurines wondering which one to select. I didn’t know. Finally, I bought a bear. As an adult, I reasoned I did so because of its connection to Native American life and lore. I never regretted that choice and the bear turned out to be an interesting animal and somewhat a symbol for me.
I am quite aware of the problem of choice for late teens who may have vocational interests, talents, and potential. I certainly was one of those. Having been recruited for ministry, I watched that world carefully. I had many other interests as well but finally went with the church work. That choice was much more important than deciding between kinds of candy or cookies or figurines. I didn’t regret my ministerial choice or career even though I eventually left it. At age 50 I chose to get out of it having tired of the incessant meetings. I knew when to leave.
In other ways, I said, “I don’t know,” but when I did, I believe saying so might have been a dodge, a frustration, or sometimes the truth. Still, I think about it; I have to make decisions. When I choose, I try to stick with the program, and I am a pretty good sticker: witness 29 years with my wife, 32 years in church work, many years directing vocal ensembles, 20 years developing curriculum resources, years of work on several manuscripts, 15 years with Jim and Ruth, quite a few years with SAGE’s Telling Your Story, almost as many years the SAGE blog, on and on. I feel I just don’t know so often, yet I do know. My doing is related to a belief fostered by Mother who led Girl Scout troops, reared five children, presided over the PTA, taught leadership skills to adults and youth, and organized in the community. She said, “You set your mind to the task and do it. You can do it.” So that’s what I have done. I may know that I don’t know. I certainly didn’t know anything about blogs, but now I have two of them. Too often when I turn on my computer I can’t get into the program. I don’t know, but I think it through overcoming my frustration and eventually complete the task at hand.
Ninety-five-year-old Ruth often says to me, “I don’t know.” While we are working on our jigsaw puzzles—we’re in our fifteenth year—I ask about her past, her ideas, her kids. In answer to many questions, she simply says, “I don’t know.” I envy her. If at age seventy I said “I don’t know” as often as she does, they’d hurry me off for a brain scan and some therapy. But at 95 you can say what you want. Nobody will argue. I told Ruth our topic for today and said I wanted to tell a story about her. She scrunched up her face in distaste. “But, Ruth,” I said, “the group loves when I include you in my stories.” I made no promises to her. You see, for me “I don’t know” is the best line from a 95-year-old who looking me straight in the face said, “You’d better not.” Apparently, I didn‘t know how to be scared of her.
© 10 July 2017  
About the Author  
Phillip Hoyle lives in Denver and spends his
time writing, painting, and socializing. In general, he keeps busy with groups
of writers and artists. Following thirty-two years in church work and fifteen
in a therapeutic massage practice, he now focuses on creating beauty. He
volunteers at The Center leading the SAGE program “Telling Your Story.”
He also blogs at artandmorebyphilhoyle.blogspot.com

Exploring, by Phillip Hoyle

I was a Boy Scout but never an Explorer. Still I had
explorations I really enjoyed. They usually took place in the stacks at the
public library, at the piano when facing a new score, or at home or office when
fulfilling a project for school or work.
These explorations kept me busy and mostly out of trouble
for years, but things have changed so much that these days I most enjoy messing
around with words in an exploration of rhythm, contrast, and other aspects of
storytelling.
You might conclude as have I that my life-long explorations
are mostly projects of mind and imagination. That’s been quite enough for me
although I do like to go to the same places by differing routes, say take the
scenic lane, stop by and see something I’ve always missed, or approach a
similar project in a slightly different manner. So today I’m reading something
again related to my childhood and continuing fascination with Native American
cultures but this time in poetic form. My interest in a peyote fan at the
Denver Art Museum served as the starting point, but the verse tells of my
childhood imaginings.
© Denver, 2013
Magic Fan
By Phillip E. Hoyle
The clutch of feathers
worked magic, at least for the boy
Who slid them over the
back of his hand,
Between his fingers,
On the skin of his face
Transporting him to a
world of freedom
Where he was one of the Indians
he had read,
Who moved freely through
the life
Of prairie and forest,
Of hunt and survival,
Through the endless
tracks of his mind.
His room, his lodge
festooned with portraits
And costumes of leather
and feather
Faithful companions in
his world of flight,
This fullness of fancy
barely
Tethered by nearness of
family.
There in his lodge, he
worked his feathers
Formed into headdress,
bustle, and fan,
Costume for his great
dream
Of being an Indian
dressed up in style
That spoke of tribal
belonging.
The basement, the space
for a dance
Of adoption, the
footwork of fancy,
Steps made real by the
presence of
Feathers that moved air
and spirit
Through ceremonial smoke
of love and desire.
His dances were brief,
three minutes or less
—sad frontier of 78s—but
He practiced the joy
Shown in dip, turn, and
stomp;
The movement expressing
the life he could feel.
His fan led the way as
he pranced,
Swift feet moving in
moccasins that
Circled the room of
ceremony and smoke.
Bustles shimmering,
bells resounding
Sisters worrying, ‘He’s
at it again.’
In echoing basement his
beads bounced
His body the drum, the
people, the dream
Of roach and shirt,
breechclout and leggings.
Of such transportation:
The magic of feather and
fan.
© Denver,
2012 
About the Author 
 Phillip Hoyle
lives in Denver and spends his time writing, painting, and socializing. In
general he keeps busy with groups of writers and artists. Following thirty-two
years in church work and fifteen in a therapeutic massage practice, he now
focuses on creating beauty. He volunteers at The Center leading the SAGE
program “Telling Your Story.”
He also blogs at artandmorebyphilhoyle.blogspot.com