Today’s topic—‘no good will come of it’—seemed an apt description of my search for a story even though I started looking for an approach two weeks ago. At first consideration the theme sounded to me like Cassandra’s warning to the good citizens of Troy in the Iliad, “Beware of Greeks bearing gifts.” Homer could easily have added, “No good will come of it,” without any change to his character or plot. I didn’t pursue this image, for to view my life as a tragedy didn’t easily fit my personality. I felt stymied by the topic that seemed to go nowhere.
I began my search again on Tuesday morning and found myself wandering through empty hallways of my memory—no furnishing wanted to seat such a saying, no picture offered potential to my storytelling. Still I walked around in the space peeking into corners and around projections, peering out windows and down stairwells, opening doors and slamming them shut in frustration. Finding a story seemed hopeless.
Come Wednesday I considered what I saw as a great contrast between my parents: Dad, who was more of the “No good will come of it” school; Mom, who was more of the “Every cloud has a silver lining” school. I saw easily how I was more like my mom, but the insight offered no story I hadn’t told before. Besides, my parents’ lives were much more than a single contrast. Both believed in the power of learning and education. I’m sure Mom had her challenges that made some days seem just plain gloomy and Dad held out hope that his kids would live meaningful lives.
Surely both Mom and Dad deemed my education effective when in eighth grade I began reading with a voracious appetite, a result of my discovery of historical novels in the junior high library. My interest in American history was spurred on by the dramatic telling and the presence of Native American characters. As a developing bibliophile I supplemented assigned books with stacks of novels throughout high school, five years of college, and over five years of graduate education. I read with a preference for comedy but in the process took in many tragedies, stories from many cultures told from many perspectives. Finally I discovered novels written by American Indian authors and by gay and lesbian authors. Then I read more and more. A Canadian friend sent me books by Canadians such as Thomas King and Annie Proulx. I felt thankful that my vocation as a minister supported the idea that I continue learning in order to be an effective teacher and leader. My library grew, but of course, some books I did not place on the shelves in my church office.
I easily preferred reading a book over viewing a movie, even a cinema made from a book. So when I heard talk that a movie was being developed from a story by Annie Proulx, I went in search of the tale at the library and found “Brokeback Mountain” in a collection of Wyoming-themed short stories. I read “Brokeback Mountain” with interest and then the rest of the stories in the book. One word seemed to describe them all: bleak. Such a mood had permeated her novels. I wondered how this movie would turn out. When it showed at the Mayan Theatre I attended with my partner. I was so moved that at the end of the movie I had to stay through the credits to weep. Eventually we left the theater. Wanting to see just how closely the movie script and editing followed the story, I purchased the collection and was amazed at how accurately it tracked and how freedoms taken in the movie interpreted the story with amazing clarity.
While discussing the show with a minister friend I discovered my view contrasted greatly with his. At the end of the movie I had felt something deeply positive in the survivor’s life, in both the new-found connection with his daughter and a continuing deep love with his deceased friend. His grief had great value that made him reach out to his family. Even that little, undeveloped glimmer of hope which, in contrast to what else he had experienced, seemed to me the promise of eventual fulfillment for the character. My friend Terry didn’t feel it at all, but rather sank into the bleakness of the author’s characters and the setting’s spare resources. He left the movie feeling no hope. Perhaps he really enjoys tragedies while I really want comedy. But more importantly I believe I saw the movie from the point of view of my own gay experience. While I deeply loved a couple of men through the years of my straight odyssey, I also lived a strange, spare realty—one in which increasingly I desired a gay relationship of open shared affection. I wanted to be nurtured by it, by a man. I held onto the images, the friendships I had, the literature I read, even some pornography, but through a sense of self control patiently nurtured my friendships and loved myself. I really wanted more and eventually went to find it.
My search was consequential, but my life was not bleak. Still, deep within there was a Wyoming kind of windblown, cold, lonely world, aspects of which could be seen even in my childhood. Gay boy loses straight friend after years of playing together; their worlds diverged. His same-sex needs persisted but he didn’t find anyone to share them with. As a young adult he found two gay male friends with whom he could share his own sexual narrative, but he didn’t pursue either as a lover. He had other friends but the gay ones always seemed more interesting. He watched other bisexual men but didn’t want their problems. Eventually he changed his life, took the great losses and the attendant grief. He was hurt but not destroyed.
You see, like Ennis Del Mar at the end of the movie, I stood in the trailer of my transience and examined the souvenirs of my life and loves and felt inspired and loved—even if imperfectly—and eventually hopeful. That’s how I saw Ennis. That’s how I saw myself. So, although observers of my not-strong straight approach to life may have been supposing no good would come of it, and although some pointed to the disruption of my vocation and marriage as proof they were right, they had no access in their depressed judgmental view of the deep joy that disruption led me to experience. I found in those changes silver linings and deep veins of golden treasures. I kept my souvenirs while I continued searching for gay love and meaning. I guess I am so much like my mother! I found my story.
About
the Author
Phillip Hoyle lives in Denver and spends his time writing, painting, and socializing. In general he keeps busy with groups of writers and artists. Following thirty-two years in church work and fifteen in a therapeutic massage practice, he now focuses on creating beauty. He volunteers at The Center leading the SAGE program “Telling Your Story.”
He also blogs at artandmorebyphilhoyle.blogspot.com
