Drama Queen by Ricky

“The time has come,” the Walrus said,
“To talk of many things:
Of shoes—and ships—and sealing-wax—
Of cabbages—and kings—
And why the sea is boiling hot—
And whether pigs have wings.”

— Lewis Carroll, The Walrus and the Carpenter

Last week I had to ask
our group leader what exactly is a “drama queen”.  His answer was okay but due to the passage of
time I forgot the answer.  Thus, I was on
my own pondering this topic and how it relates to my life experiences.  I thought so hard that I gave myself a
dramatic headache to substitute for smoke pouring out my ears.

My ponderous labors were not in vain however,
as I did give birth to a personal point of reference; and it did not even take
nine months.
I
witnessed my first episode of “dramatical” behavior in 1953.  My mother made me wear sandals to
Kindergarten where other boys began to call me a “sissy” for wearing them.  When I got home that afternoon, I begged my
mother to get me “real” shoes like the other boys, but she said, “No.”  When my father came home, I turned on the
tears, panic, and near tantrum behavior and he took me out to get new footwear;
he truly understood the situation.  To
some that may qualify for juvenile (or infantile) drama queen behavior, but to
me it was self-preservation-behavior.
The
next time I noticed dramatical behavior in others and I, was in the Fall of 1965
and Spring of 1966.  This time it was
group behavior as many of us performed in the two high school plays, Pioneer Go Home and Tom Jones
Combined with a few skits in Boy Scouts, these were my only youthful
experiences with drama.  As it turns out
though, I really enjoyed it.

Cast of Tom Jones–I’m Tom

I enjoyed drama.

In
1969, three young adult males and I performed, at a church social, a skit in barbershop
quartet style; not the harmony parts just the dramatical part.  We sang a “moving” rendition of When It’s Hog Calling Time in Nebraska.  It was well received.  At least no one threw tomatoes at us.

Many
years later, while in the Air Force, I was the supervisor of a flight of
30-missile security personnel one of whom, the flight sergeant, was always
getting lost or stuck on unauthorized roads. 
I was joking with one of my staff sergeants about giving the flight
sergeant an award for all his efforts in finding new places to get stuck and
areas in which to play lost and found. 
The next week, the staff sergeant brought me a homemade medal of French
design to award the flight sergeant.
The
award was a little compass (the type with a small suction cup so it could be
attached to a windshield) which was suspended from a red, white, and blue
striped ribbon to fit around the recipient’s neck.  I invited the squadron commander and
operations officer to attend my flight’s guard mount that day to witness the
award ceremony.
After
attending to the normal activities of guard mount, I called the flight sergeant
to come Front and Center.  When he was in
place, I gave an “over the top” flowery spiel about his ability and skill in blazing new trails and
documenting response time to hazardous locations ending with, “Sergeant R., I
present you with the coveted Pathfinder of the Year Award.”  The highlight of the presentation was after I
placed the ribbon around his neck I grasped his shoulders and kissed him French
style on both cheeks.  Everyone “cracked
up laughing,” the sergeant turned bright red, and even the commander enjoyed
the “performance.”  This is not drama
queen behavior; it is morale boosting behavior to lighten the load of being in a
boring and thankless job.
After
all that pondering on the topic, I do recognize stereotypical drama queen
behavior, when I see others engage in it repeatedly.  However, I am not a stereotypical
person.  Like each of you, I am unique in
my personality, traits, speech patterns, sense of humor, and so on.  I believe that we all do things sometimes
that could make others refer to us as drama queens.  For myself, I may actually do these things
quite often but rather subtlety.  No one
has ever said I was effeminate or had effeminate traits or habits and I am not
flamboyant or flaming.  No, my drama
queeniness is very low key.
For
example, I like to tell jokes, mostly puns, at odd intervals to lighten the
mood; or perhaps to turn the attention to me. 
I like to wear bright solid color shirts and t-shirts with logos or
sayings or other messages on them; perhaps again to make people notice me.  While I do not deliberately arrive late to
our Telling Your Story group, it does draw attention to me.  So maybe I really do qualify as a drama
queen; except for one thing.  I am not
female so “queen” does not fit.
“The time has come,” this author said,
“To talk of many things: 
Of shoes–and ships–and sealing-wax– 
Of cabbages–and drama kings– 
And why the sea is boiling hot– 
And whether pigs have wings.”
If
you must, just call me a Drama King.

©
16 April 2012

About the Author

Emerald Bay – Lake Tahoe
Ricky
was born in June of 1948 in downtown Los
Angeles, California.
He lived first in Lawndale
and then in Redondo Beach both suburbs of LA. Just prior to turning 8 years
old, he went to live with his grandparents on their farm in Isanti County, Minnesota
for two years while (unknown to him) his parents obtained a divorce.

When united with his mother and new stepfather, he lived at Emerald Bay
and then at South Lake Tahoe, CA,
graduating from South
Tahoe High
School in 1966. After three tours of duty with the
Air Force, he moved to Denver,
Colorado where he lived with his
wife of 27 years and their four children. His wife passed away from
complications of breast cancer four days after 9-11.

He came out as a gay man in the summer of 2010.  “I find that writing these memories is very therapeutic.”

Ricky’s blog is “TheTahoeBoy.blogspot.com”.

Learning to Dance (According to Mother Goose) by Nicholas

Girls and boys, come out to play,
The moon is shining as bright as day.

Leave your supper, and leave your sleep,
And come with your playfellows into the street.

Let me tell you a story. It’s a story about
princes and princesses and queens. There’s magic and elegant balls and fancy
costumes. Carriages take us to places of great imagination. And we dance all
night till dawn’s dim light.

Dancing, I mean disco dancing, was a part of
my liberation. Getting myself out onto the dance floor to shake and writhe was liberating.
I had spent plenty of time watching the sensuous moves of dancers wishing I
could just step out and let go and give in to the music. I think that disco
dancing in the 1980s was to gay men what going to church on Sunday was to black
women. Release me, oh, sweet Jesus, release me.

          Swaying, twisting, turning, stomping,
and waving arms to those simple rhythms and an overwhelming drumbeat at
deafening volume produced a sense of reverie. You could do anything and call it
dancing. You didn’t even need a partner. It just took some nerve to go out onto
a dance floor and shake your booty and other body parts.

          What got me dancing was hanging out
with Jack, Steven and Bill (whom we called Chester). We worked together at
Macy’s in San Francisco and we would go out after work. Friday saw us head to
Trinity Place, a downtown bar that featured cabaret shows. Then it was on to
get something to eat and then out dancing. These guys were light years ahead of
me. They didn’t just dance, they had moves, fancy ones, sometimes with fans or with
their stripped-off shirts. It was a performance to behold.

          On Halloween one year there was an
all-night extravaganza at the Galleria, a designers warehouse with a five-story
atrium. Entertainment was some disco diva headliner, the place was ablaze with
a continuous laser light show, and the best dance music in the world pulsed through
the night. We paid the high price for tickets, acquired the right wardrobe, and
did the right drugs so we could dance frenetically all night long.

          For Halloween everybody was in
costume. Jack loved the theatre and was adept at sewing so he
volunteered—insisted, actually—on making all our costumes. We decided on a
Renaissance courtier theme, with tights, puffy-sleeved velvet doublets, magnificent
capes and flouncy hats with feathers. Mine was midnight blue and grey with
ermine trim, of course. Our regal carriage—a grubby San Francisco taxi—took us
to the ball. There were no pumpkins and no mean sisters. It was all glamour,
like something out of a fairy tale.

          They’re all gone now and my dancing
days are over for sure. Chester was the first to go. I took him to see my
doctor because he didn’t have a doctor. But there wasn’t much to be done and he
died before they even named his illness. Steven went dancing into eternity next.
Jack hung on the longest, righteously angry that his life was being cut short.

          I don’t know what this has to do with
Mother Goose. There may be no rhymes here but I and my “playfellows” left our
supper and left our sleep and danced all night, seeking that release. This tale
of princes and magic and carriage rides into the night and back again with the
rising sun was one of those rare moments of wonder that stand out from
day-to-day life. Not all Mother Goose rhymes have happy endings—like “down will
come baby, cradle and all.” But though baby came to a hard landing, he enjoyed
his time swaying high in the tree top.

Rock-a-bye, baby,
   In the tree top:
When the wind blows,
   The cradle will rock;
When the bough breaks,
   The cradle will fall;
Down will come baby,
   Cradle and all.

About the Author

Nicholas
grew up in Cleveland, then grew up in San Francisco, and is now growing up in
Denver. He retired from work with non-profits in 2009 and now bicycles,
gardens, cooks, does yoga, writes stories, and loves to go out for coffee.