Good Hunting, Nicholas

For the last few years I have been compiling memories in the
form of memoir essays. It’s fun and interesting to recollect what I have done
with my life over the years. I do not see myself writing an autobiography, however,
but rather being selective on episodes to delve into. I do not begin at my true
beginning with my childhood which, to me, seems as uninteresting now as it was
then. A pretty ordinary stretch of life filled with good memories but little
drama, a time that I don’t see as worth writing about.
So, it’s not really my life story that I am filling pages
with but reflections on where life has taken me. It has taken me many
fascinating places. And I enjoy remembering where I have gone. Memory is, to
paraphrase a common saying, like drinking sea water—the more you drink, the
thirstier you get. Writing a memoir is like a quest. You might say, I am
hunting my past.
I was remembering an episode in my past last week and the
more I thought about it and wrote out the story, the more that came to me. The story
was about the day a kind, older man tempted me out of my closet. He didn’t
succeed. I was foolish enough to pass up the opportunity he offered. I thought
I had written out the story. But then, wait, something else happened back then.
He said something to me. What was it? I plied my memory until it started coming
back to me. He said something like, “You don’t have to be alone, you know.” I’d
forgotten that last part.
The tools I use in this hunt include not only my memory of
events—fond or not so fond—but also documents, old journals, and, lots of
published clips from my days as a journalist in San Francisco. I sometimes even
do some research and fact checking.
I have all the documents, for example, of the struggle with
my draft board from 1968 to 1972 that culminated in my refusing induction into
the U.S. Army. Having long had a fondness for writing, I wrote for some
underground papers in California back then and actually found copies in the San
Francisco Public Library. Some of those pieces I’m proud of and some I dismiss
as just getting carried away with the rhetoric of that era. Did I really call
the President of the United States a pig? Well, he probably deserved it.
The only time in my life that I kept a personal journal was
when I began coming out. I wrote in it faithfully almost every day for a few
years and found it a great way to see who I was and how I was changing. Some
memories are flattering and some are not. At times, I am roaring with happiness
from new found friends and experiences. Other times, I am wishing it would all
go away and I could just be normal, whatever that might mean. It helps to see
the bad with the good.
My hunt has produced results, maybe I should call them
trophies. I am seeing patterns that I like. It seems to me that my life has
been blessed with two Spring times and maybe even a third. Twice I have felt
desperate and besieged by forces beyond my control and twice I have responded
to those challenges by entering a time of creativity and change. The first time
was when I decided to drop out of college and take on the military draft. That
led to a multitude of incredible experiences. The second spring came of course
when I embraced being gay and found friendship and love, challenge and
strength, community and history.
And the third spring? Well, it seems to be right now. As I’m
growing older, I find myself again in a period of challenge and change and
great creativity at the same time. I like remembering my past, chasing it down,
writing it down. This hunt has its satisfactions in knowing the ground on which
I now stand. Where I’m headed is growing out of where I’ve been. I like being a
hunter and the hunt goes on.
© 19 Sep 2016 
About the Author 
 Nicholas grew up in Cleveland,
then grew up in San Francisco, and is now growing up in Denver. He retired from
work with non-profits in 2009 and now bicycles, gardens, cooks, does yoga,
writes stories, and loves to go out for coffee.

Exploring, by Phillip Hoyle

I was a Boy Scout but never an Explorer. Still I had
explorations I really enjoyed. They usually took place in the stacks at the
public library, at the piano when facing a new score, or at home or office when
fulfilling a project for school or work.
These explorations kept me busy and mostly out of trouble
for years, but things have changed so much that these days I most enjoy messing
around with words in an exploration of rhythm, contrast, and other aspects of
storytelling.
You might conclude as have I that my life-long explorations
are mostly projects of mind and imagination. That’s been quite enough for me
although I do like to go to the same places by differing routes, say take the
scenic lane, stop by and see something I’ve always missed, or approach a
similar project in a slightly different manner. So today I’m reading something
again related to my childhood and continuing fascination with Native American
cultures but this time in poetic form. My interest in a peyote fan at the
Denver Art Museum served as the starting point, but the verse tells of my
childhood imaginings.
© Denver, 2013
Magic Fan
By Phillip E. Hoyle
The clutch of feathers
worked magic, at least for the boy
Who slid them over the
back of his hand,
Between his fingers,
On the skin of his face
Transporting him to a
world of freedom
Where he was one of the Indians
he had read,
Who moved freely through
the life
Of prairie and forest,
Of hunt and survival,
Through the endless
tracks of his mind.
His room, his lodge
festooned with portraits
And costumes of leather
and feather
Faithful companions in
his world of flight,
This fullness of fancy
barely
Tethered by nearness of
family.
There in his lodge, he
worked his feathers
Formed into headdress,
bustle, and fan,
Costume for his great
dream
Of being an Indian
dressed up in style
That spoke of tribal
belonging.
The basement, the space
for a dance
Of adoption, the
footwork of fancy,
Steps made real by the
presence of
Feathers that moved air
and spirit
Through ceremonial smoke
of love and desire.
His dances were brief,
three minutes or less
—sad frontier of 78s—but
He practiced the joy
Shown in dip, turn, and
stomp;
The movement expressing
the life he could feel.
His fan led the way as
he pranced,
Swift feet moving in
moccasins that
Circled the room of
ceremony and smoke.
Bustles shimmering,
bells resounding
Sisters worrying, ‘He’s
at it again.’
In echoing basement his
beads bounced
His body the drum, the
people, the dream
Of roach and shirt,
breechclout and leggings.
Of such transportation:
The magic of feather and
fan.
© Denver,
2012 
About the Author 
 Phillip Hoyle
lives in Denver and spends his time writing, painting, and socializing. In
general he keeps busy with groups of writers and artists. Following thirty-two
years in church work and fifteen in a therapeutic massage practice, he now
focuses on creating beauty. He volunteers at The Center leading the SAGE
program “Telling Your Story.”
He also blogs at artandmorebyphilhoyle.blogspot.com