Connections, by Pat Gourley

Once again in writing on the early years of Harry Hay’s queer activism, the late 1940’s and early 1950’s, I am relying heavily on the wonderful collection of Hay’s writings edited by Will Roscoe from 1996 and aptly called Radically Gay. Do check out Will’s web site for further info on Radically Gay and Will’s many other books and writings: http://willsworld.org

In thinking about the topic “connections” I pulled Radically Gay off my bookshelf this morning to re-explore Hay’s concept of subject-Subject Consciousness, a profound and co-equal form of human connection, as opposed to subject-to-object. In scanning the book I came across the story of Hay’s first attempt at a call-to-arms to try and get homosexuals to begin organizing themselves. This manifesto from 1948 was rather awkwardly titled: Bachelors Anonymous (Radically Gay. Page 3.). Now that is a name describing gay men I think we can all be glad did not catch on. Two years later, with his then lover Rudi Gernreich and several others, the Mattachine movement was launched and the rest as they say “is history”. According to Roscoe within a few short years there were an estimated 5,000 homosexuals in California involved in one form or the other with the Mattachine movement. Remember this would have been in the early 1950’s in the era of McCarthyism.

Many would say that Hay’s greatest contribution to the LGBTQI movement was his insistence that we are a cultural minority. To quote Hay from Radically Gay:

“We are a Separate People with, in several measurable respects, a rather different window on the world, a different consciousness which may be triggered into being by our lovely sexuality” (Radically Gay. Page 6.)

I would contend that one of the “measureable respects” in how we differ from heterosexuals is a mode of communication, a form of connection, Hay called subject-to-Subject. In a position paper he wrote in 1976, while living in New Mexico entitled, Gay Liberation: Chapter Two- Serving Social and Political Change through our Gay Window, Hay lays out his vision of subject-Subject Consciousness (Radically Gay. Pages 201-216). I encourage all Queers to get the book and read especially this chapter.

Right out of the box he owns that this essay puts forth a Gay Masculine point of view while acknowledging that Feminine Consciousness also exists but is something quite different. I will go way out a limb here and suggest that the lesbian-feminist movement of the 1960’s and 1970’ was all over this non-objectifying form of connecting woman-to-woman.

The essence of subject-to-Subject is that of equal to equal. My very simplistic interpretation of this form of consciousness is that we gay men have a leg up on the hetero world in that we as men relating to men and women relating to women are better able to approach one another as equals without the burden of centuries of institutionalized objectification and sexism i.e. crudely put “Me Tarzan you Jane’.

However, even we as gay men, as opposed to straight men, approach relating to one another with a fair amount of objectifying cultural baggage. It may not involve the competition that comes with landing a mate for procreative purposes but we do often indulge in only hooking up with someone of the ‘right age, skin color, cock size, class background’ etc. This is an area where we need to go back in our lives to that first almost always non-sexual attraction to another boy that was so electrifying. That realization that even though I am ‘other’ so is he. A genuine sense of “equal to equal, sharer to sharer”, we are truly kindred spirits. What an exhilarating form of connecting that was for so many of us.

Gay men in particular still have as much work to do in this area of personal subject-to-Subject relating as we ever have especially once the roiling hormones of sexual attraction bubble to the surface. I am not sure that Grindr could not aptly be renamed “Bachelors Anonymous”. Though that first impulse for out of the box subject-to-Subject connecting still remains and hopefully is the essence of gay liberation. It remains our real gift to the world in this age of Trump regression and insanity.

© April 2017

About the Author

I was born in La Porte, Indiana in 1949, raised on a farm and schooled by Holy Cross nuns. The bulk of my adult life, some 40 plus years, was spent in Denver, Colorado as a nurse, gardener and gay/AIDS activist. I have currently returned to Denver after an extended sabbatical in San Francisco, California.

Gay Music by Pat Gourley

Well where to start with this one? I am gay and I do listen to music but I don’t think that imparts any element of queerness to the music I listen to or that any of that music is making me into any bigger queen than I am already. Other than many Furthur CD’s from the past year’s shows that I listen too sort of endlessly in my car I am a frequent user of Pandora.

My current favorite artists on Pandora are anyone Motown connected, Warren Zevon, Van Morrison, and Bob Dylan, despite his recent obnoxious commercial during the Super Bowl for Chrysler. Dylan has always admonished his listeners not to ascribe any beliefs or agenda he may or may not have in regards to his music so I take this as license to attach whatever meaning I want to his tunes and I do.

Jerry Garcia was once asked why the Dead did so many covers of other people’s music, often Dylan songs, and his response was “because we are lazy.” I also am basically pretty lazy and Dylan’s music has always provided me over the years with a cheap high to get my politically correct righteousness up and running.

I have said on many occasions that I am missing the gay gene that one needs to appreciate Opera for example or even much of classical music though I do listen to a modest amount of classical music on Pandora. Listening to Opera however requires coercion and medication to happen, my apologies to all the Opera fans around this table.

I have been influenced greatly over the years though by several Opera lovers. This includes Harry Hay who is described in part by Will Roscoe in the introduction to Radically Gay as “an opera queen who has mastered Marxist dialectics…” More than his apparent love for opera I was aware of Harry’s research and genuine fondness for European Folk Music and his numerous attempts over the years to get me to try and introduce the singing of folk rounds into our Denver Radical Fairie activities. He was certainly aware of my fondness for the Grateful Dead but I think he assumed this was just a phase I would eventually outgrow. Or perhaps he had at some point heard my extreme inability to carry a tune of any sort and he thought best to leave well enough alone in this regard.

An interesting queer historical tidbit I will share is that Roscoe, in Radically Gay again, attributes Hay’s research into folk music as a direct contributor to the development of his ‘gay folks are a cultural minority thesis’ that helped launch the Mattachine society. Hay believed that a folk song could convey information beyond just the lyrics. The songs could also serve as vehicles for communicating about repression when the cultures and people involved were under someone’s heel.

Pat Gourley & Will Roscoe
Photo by Alan M. in October 2009

Harry’s favorite example of this was a folk tune used in 1622 by Dutch freedom fighters to help recruit and organize disparate villagers who did not speak the same language. The name of this tune was “Bergen op Zoom.” The Dutch resistance in World War II used the same song also. Harry brought this folk tune to the fledgling Mattachine [Society] in 1950 and the group adapted it in their membership initiation ceremony. I have not had much luck in finding an English translation but have brought a copy in Dutch I believe and perhaps someone here can help. For those who might have more interest in this connection Hay made between folk music and queer identity I would refer you to Radically Gay (Will Roscoe, editor: 1996) specifically the chapter titled “Music…man’s oldest science of organization”.

Harry never gave up though on the potential power of music, folk in particular, as a form of dialectics in action. A way to facilitate communication between Fairies that could lead to further exploration and discovery as to our true natures. In fact he was sending me copies of Rounds for gay men to use when getting together socially well into the 1990’s as I recall. I will refrain from launching into the many discussions I had over the years with Harry and his partner John that addressed the dialectic method of discourse as a means of eventually reaching consensus. Harry was always about consensus and shunned the rule of the majority. He thought queer folk and fairies in particular were potentially very adept at consensus and that one way to set the stage for such communication was to gayly sing Rounds, something I think he felt was an intrinsic form of gay music.

© February 2014



About the Author

I was born in La Porte Indiana in 1949, raised on a farm and schooled by Holy Cross nuns. The bulk of my adult life, some 40 plus years, was spent in Denver, Colorado as a nurse, gardener and gay/AIDS activist. I have currently returned to Denver after an extended sabbatical in San Francisco, California.