Both my dad Earl and my maternal grandpa Charley had horseshoes. Dad had large ones he threw at an iron rod hoping to make a ringer. He smiled when he played and enjoyed his conversation with the other men. But I liked Grandpa’s horseshoes better for they represented something more essential than a game even with its skill and camaraderie. Grandpa’s horseshoes represented a way of life, one close to the soil, close to history, actually an extension of that history. The imagination of living on a tract of land that had been farmed for hundreds of years by American natives and nearly one hundred years by American immigrants from German and Sweden held more attraction for me. Grandpa’s farm and life invited me into a world in which horseshoes were actually worn by horses. I really liked that.
My father’s life was much more disconnected from the essentials of a farm. Oh he sold groceries, sometimes even local produce, but he sold them, not raised them. He worked hard, dealt with many people, hired quite a few employees, and following the example of his grocer father, sometimes gave groceries to folk who were too broke to afford them. He offered monthly credit to many people who lived on monthly-paid incomes. His life did exemplify a deep dedication to people. But his horseshoes were stored in a box on a shelf in the garage and taken out only when he and some other men were meeting at the park for a game. Grandpa’s horseshoes had holes in them to accommodate real nails to be pounded into horse’s hooves; dad’s horseshoes were only for sport.
Because of its difference from city life, the farm was magical for me. I was amazed by all its elements that didn’t occur in our home on a city lot: its location alongside a gravel road and a ravine, its tall barns and squat hen house, its underground cellar and the large wood stack, its wood-burning stoves and deep wells, its tractor and truck. The farm seemed nearly foreign when compared to the things I knew. We had cats at home, but Grandpa had dogs that brought in the cattle each evening, cows that gave milk. He sometimes had calves that were auctioned off at the local sales barn. In the cellar sat large cans of milk and eggs that Grandpa took to the mill each Saturday. The chopping block next to the wood stack displayed the heavy ax that he used to split logs for cooking meals and heating the house. And the place had stories of an ancient ceremonial ground down by the creek, a place that was used annually by the native folk who had lived there before my great grandfather. There were also stories of the old sod house my forebear built when he homesteaded the place in the 1870s, of Indians stopping by to trade, of the old two-story house that used to stand there but that burned down when two girls were playing and lit a fire in their play oven. I treasured these stories; the farm captured my imagination becoming the site of my dreams. In addition to dreams, I clearly recall the saddle that hung in the central part of the barn, the leather, wood and metal gear to hitch the horses to the wagons, and the lucky horseshoe Grandpa had tacked to the barn wall. I liked Grandpa’s horseshoes.
By contrast, Dad’s horseshoes represented another world of sports and competition. They went to church picnics at the city park. I watched the play, even tried it but was neither strong nor accurate enough in my tosses. Even as I grew my game did not improve for I still threw the shoes wildly, rarely hitting the rod or making points, certainly making no ringers. I did like watching the older guys—my dad and others—toss them. The players had their own techniques: how they held the horseshoe, how they tossed it, how they followed through the throw, how they cheered or rued the results. They relished their sport with Sears and Roebuck fake horseshoes. Although my dad liked sports and mild competition, I never got into it.
Growing up I saw my grandpa work. Farming allows that; at least on family farms where the children help. Actually I helped Grandma mostly in her garden and sometimes collecting eggs. Still, Grandpa was always around—milking cows, making things in his shop, working fields, keeping his equipment in good order. He invited me to ride with him on the tractor or to go with him in the pickup to a nearby mechanic’s shop. By contrast dad’s work took place away from home. For years I rarely saw Dad’s work at the store, only occasionally a bit of bookkeeping on a Sunday night when the store was closed. What work I did see him do was at church where he played the organ for two or three services each Sunday. I thrilled at his playing and singing, his accompanying and service music, his improvisations on hymns and gospel songs, and his tasteful selections of classical pieces. But soon I was sent off to children’s church and didn’t hear him except on Sunday evenings. When I was in junior high choir I did again hear the morning service, and in the 8th grade started conducting the choir calls to worship and amen responses to prayers. In this I got to collaborate with Dad; I liked that—very much.
Grandpa died while I was in 5th or 6th grade. I matured without him. He remained a wonderful element of my imagination inspiring me with his love, humor, and gentle kidding. Soon after his death I entered dad’s world of work at the store and, thankfully, his world of music and artistry at the church.
I keep alive a great memory of hunting with dad and grandpa. They carried shot guns. I walked along and I carried the rabbits they shot using a handle Grandpa fashioned from a branch with just a few cuts with his pocket knife. I loved that afternoon even though the rabbits got very heavy. I cherish my memory of hunting at the farm with these two men who loved me and whom I adored.
Denver, © 2 March 2015
About the Author
Phillip Hoyle lives in Denver and spends his time writing, painting, and socializing. In general he keeps busy with groups of writers and artists. Following thirty-two years in church work and fifteen in a therapeutic massage practice, he now focuses on creating beauty. He volunteers at The Center leading the SAGE program “Telling Your Story.”
He also blogs at artandmorebyphilhoyle.blogspot
